Sherbet Spoon
1860-1874 (made)
Artist/Maker | |
Place of origin |
About halfway between Isfahan and Shiraz lies the Iranian town of Abadah. Renowned even in the medieval period for its woodwork, Abadah in the nineteenth century was most famous for its elaborately carved sherbet spoons (qashuq) made of pear- and box-wood.
The spoons were made in a variety of shapes and sizes. The largest and most impressive spoons were used for drinking sherbet, while slightly smaller ones were used for soup and rice and the smallest type was used for pickles. Large spoons were usually made in two parts, with a long rhomboid handle joined to the bowl-section by a socket. The socket was concealed under a large rosette to make it appear as if the spoon had been carved from one large piece of wood. Large spoons also had a curved 'buttress' underneath the rosette which braced against the bowl, adding stability and preventing the spoon from breaking under the weight of its load of sherbet.
Exquisitely carved spoons were the preserve of the well-to-do. They featured prominently at fancy dinner gatherings, where they were the only utensils used. The spoons were placed in ceramic basins full of sherbet with their handles balanced on the side and their bowls floating atop the sherbet. A guest would drink from the spoon, then place it back in the basin for the use of the other guests. One spoon might serve for two or three people in this way.
The spoons were made in a variety of shapes and sizes. The largest and most impressive spoons were used for drinking sherbet, while slightly smaller ones were used for soup and rice and the smallest type was used for pickles. Large spoons were usually made in two parts, with a long rhomboid handle joined to the bowl-section by a socket. The socket was concealed under a large rosette to make it appear as if the spoon had been carved from one large piece of wood. Large spoons also had a curved 'buttress' underneath the rosette which braced against the bowl, adding stability and preventing the spoon from breaking under the weight of its load of sherbet.
Exquisitely carved spoons were the preserve of the well-to-do. They featured prominently at fancy dinner gatherings, where they were the only utensils used. The spoons were placed in ceramic basins full of sherbet with their handles balanced on the side and their bowls floating atop the sherbet. A guest would drink from the spoon, then place it back in the basin for the use of the other guests. One spoon might serve for two or three people in this way.
Object details
Category | |
Object type | |
Parts | This object consists of 2 parts.
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Materials and techniques | Carved wood |
Brief description | Spoon, carved pearwood, Abadeh, Qajar Iran, 1860-1865 |
Physical description | Carved wooden spoon in two sections, elaborately decorated with allover openwork including buteh motifs on the bowl. |
Dimensions |
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Style | |
Gallery label |
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Object history | Purchased at the Paris Exhibition of 1867. Reporting on the Museum's Iranian holdings to date in May 1873, Robert Murdoch Smith assessed this set of twelve wooden spoons as follows: "All these spoons are made of the wood of the pear tree at the small town of Abadeh (not Shiraz). They are usually made in three sizes, the largest for taking sherbet, the medium size for soup, pilau etc. and the smallest for pickles. These are fair specimens of this kind of work." (V&A Archives) |
Associations | |
Summary | About halfway between Isfahan and Shiraz lies the Iranian town of Abadah. Renowned even in the medieval period for its woodwork, Abadah in the nineteenth century was most famous for its elaborately carved sherbet spoons (qashuq) made of pear- and box-wood. The spoons were made in a variety of shapes and sizes. The largest and most impressive spoons were used for drinking sherbet, while slightly smaller ones were used for soup and rice and the smallest type was used for pickles. Large spoons were usually made in two parts, with a long rhomboid handle joined to the bowl-section by a socket. The socket was concealed under a large rosette to make it appear as if the spoon had been carved from one large piece of wood. Large spoons also had a curved 'buttress' underneath the rosette which braced against the bowl, adding stability and preventing the spoon from breaking under the weight of its load of sherbet. Exquisitely carved spoons were the preserve of the well-to-do. They featured prominently at fancy dinner gatherings, where they were the only utensils used. The spoons were placed in ceramic basins full of sherbet with their handles balanced on the side and their bowls floating atop the sherbet. A guest would drink from the spoon, then place it back in the basin for the use of the other guests. One spoon might serve for two or three people in this way. |
Collection | |
Accession number | 932B/1, 2-1869 |
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Record created | November 8, 2005 |
Record URL |
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