Commedia dell'Arte figurine
Figurine
late 19th century (made)
late 19th century (made)
Artist/Maker | |
Place of origin |
This figurine of Mezzotin was produced by the Samson factory in Paris which was established in 1845 by Edmé Samson. It represents Mezzetin, a character from the Italian knockabout comedy called the Commedia dell'Arte, or 'artistic comedy'. This was the popular improvised type of comedy which flourished in Italy from the 16th to the 18th centuries and had an impact on theatre throughout Europe, especially France. Commedia plays were acted along pre-arranged scenarios but relied on the performers' ability to improvise and ensured their popularity with a mixture of slapstick comedy, acrobatic leaping and romantic interest. Various visiting Italian troupes performed in France in the 16th century where their type of theatre was called the Comédie-Italienne. By the 17th century, however, their plays were being performed largely in French, and by the 18th century Commedia dell'Arte was a recognised part of the French theatre.
Mezzetin was one of the stock characters of Commedia dell'Arte. His name meant 'half measure' and in accordance with this variable character he could be a deceived or a deceiving husband, and could serve his master with devotion or take bribes and betray him. Although not a character who became assimilated into British pantomime, he was well known in France in the 18th century and is the subject of a painting by Watteau dated 1718-1720. He is often represented wearing a soft cap like this, in striped fabric, the stripes possibly emphasising his two-sided character.
Mezzetin was one of the stock characters of Commedia dell'Arte. His name meant 'half measure' and in accordance with this variable character he could be a deceived or a deceiving husband, and could serve his master with devotion or take bribes and betray him. Although not a character who became assimilated into British pantomime, he was well known in France in the 18th century and is the subject of a painting by Watteau dated 1718-1720. He is often represented wearing a soft cap like this, in striped fabric, the stripes possibly emphasising his two-sided character.
Object details
Categories | |
Object type | |
Title | Commedia dell'Arte figurine (generic title) |
Materials and techniques | Lead-glazed earthenware |
Brief description | Figurine of the Commedia dell'Arte character Mezzetin, lead-glazed earthenware by Samson of Paris, late 19th century |
Physical description | Ceramic figurine of a Commedia dell'Arte character in pink striped jacket, cape, knee breeches, and soft 'baker's boy' hat. He also wears a white neck ruff, white breeches, and black, buckled shoes and a pink belt. He stands on an irregularly shaped, roughly circular base edged with gilt rococo style motifs. He is looking to the left, standing with his left foot in front, right arm held out to his side at hip height, left arm bent in to his belt. |
Dimensions |
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Marks and inscriptions |
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Credit line | Harry R. Beard Collection, given by Isobel Beard |
Literary reference | Commedia dell'Arte |
Summary | This figurine of Mezzotin was produced by the Samson factory in Paris which was established in 1845 by Edmé Samson. It represents Mezzetin, a character from the Italian knockabout comedy called the Commedia dell'Arte, or 'artistic comedy'. This was the popular improvised type of comedy which flourished in Italy from the 16th to the 18th centuries and had an impact on theatre throughout Europe, especially France. Commedia plays were acted along pre-arranged scenarios but relied on the performers' ability to improvise and ensured their popularity with a mixture of slapstick comedy, acrobatic leaping and romantic interest. Various visiting Italian troupes performed in France in the 16th century where their type of theatre was called the Comédie-Italienne. By the 17th century, however, their plays were being performed largely in French, and by the 18th century Commedia dell'Arte was a recognised part of the French theatre. Mezzetin was one of the stock characters of Commedia dell'Arte. His name meant 'half measure' and in accordance with this variable character he could be a deceived or a deceiving husband, and could serve his master with devotion or take bribes and betray him. Although not a character who became assimilated into British pantomime, he was well known in France in the 18th century and is the subject of a painting by Watteau dated 1718-1720. He is often represented wearing a soft cap like this, in striped fabric, the stripes possibly emphasising his two-sided character. |
Collection | |
Accession number | S.893-1981 |
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Record created | November 7, 2005 |
Record URL |
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