Vilstolen thumbnail 1
Vilstolen thumbnail 2
+3
images
Not on display

This object consists of 3 parts, some of which may be located elsewhere.

Vilstolen

Chair
1933-1936 (designed), 1936 (manufactured)
Artist/Maker
Place of origin

Swedish designer Mathsson was fascinated with the act of sitting. In designing the Vilstolen, he sought to create a modern chair which was based on the position of the sitting body. He brought his considerable practical experience to this design problem, having been an apprentice in his father's cabinet-making firm for most of the 1920s. Without stuffed upholstery, he addressed the challenge of comfort by forming the seat from bands of woven hemp, an idea which he adapted from the underbelly belts used to secure saddles. The chair is also remarkably light having been made from a laminated and bent birch frame.Although Mathsson's anthropomorphic design and use of natural materials is widely credited with tempering the severity of Modernist design, the Vilstolen has a clear relationship to other contemporary Modern movement designs including those by Alvar Aalto. With a stable frame, economical use of materials and small number of parts, Mathsson's chair shares many of the principles underlying the design of contemporary tubular steel furniture.

Object details

Category
Object type
Parts
This object consists of 3 parts.

  • Chair
  • Removable Upholstered Pad
  • Cushion
TitleVilstolen (assigned by artist)
Brief description
'Vilstolen' chair, laminated beech frame with woven hemp webbing and original loose padded beige upholstery, designed by Bruno Mathsson, Vernamo, 1933-1936.
Physical description
Curved beech frame chair covered with a padded beige cushion
Dimensions
  • Height: 80.5cm
  • Width: 51cm
  • Depth: 106cm
Checked CW 28.1.10
Style
Summary
Swedish designer Mathsson was fascinated with the act of sitting. In designing the Vilstolen, he sought to create a modern chair which was based on the position of the sitting body. He brought his considerable practical experience to this design problem, having been an apprentice in his father's cabinet-making firm for most of the 1920s. Without stuffed upholstery, he addressed the challenge of comfort by forming the seat from bands of woven hemp, an idea which he adapted from the underbelly belts used to secure saddles. The chair is also remarkably light having been made from a laminated and bent birch frame.Although Mathsson's anthropomorphic design and use of natural materials is widely credited with tempering the severity of Modernist design, the Vilstolen has a clear relationship to other contemporary Modern movement designs including those by Alvar Aalto. With a stable frame, economical use of materials and small number of parts, Mathsson's chair shares many of the principles underlying the design of contemporary tubular steel furniture.
Bibliographic reference
Modernism: Designing a New World, Christopher Wilk (ed), V&A 2006
Collection
Accession number
W.50:1 to 3-2005

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdNovember 4, 2005
Record URL
Download as: JSONIIIF Manifest