On display

This object consists of 2 parts, some of which may be located elsewhere.

Communion Cup

ca. 1574 (made)
Artist/Maker
Place of origin

This cup was used in Protestant worship to serve the consecrated wine during Holy Communion.

During the Reformation there was a return to a simpler, more direct form of worship. Protestants rejected the Roman Catholic belief in ‘transubstantiation’, in which the bread and wine are miraculously transformed during the Mass into the body and blood of Christ, and proposed instead a symbolic service of shared communion. In this, the congregation would regularly take wine as well as bread, whereas before they had been chiefly spectators.

To consolidate this break with traditional religion, the church authorities launched a programme from about 1560 to replace the ‘old massing chalices’ with ‘decent’ communion cups of prescribed design. Although the new communion cups followed a standard model, there were regional variations. The inward curve of the rim of this example is typical of cups hallmarked at the Exeter assay office. John Jones made nearly two thirds of the cups that survive from Exeter.

Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Communion Cup
  • Cover (Closure)
Materials and techniques
Silver; engraving
Brief description
Silver communion cup, made c.1574 in Exeter by John Jones
Physical description
Silver communion cup with engraved band of scrolling foliage around waist
Dimensions
  • Height: 17.7cm
  • Of cup diameter: 9.12cm (at widest point of slightly mishapen cup)
  • Diameter: 8.5cm (of base of cup)
  • Diameter: 9.7cm (of paten cover)
  • Height: 4.5cm (of paten cover )
  • Weight: 243g (of cup)
  • Weight: 79g (of paten cover)
Marks and inscriptions
Stamped with maker's mark for John Jones (I IONS).
Gallery label
(22/11/2005)
Communion Cup

This cup was used in Protestant worship to serve the consecrated wine during Holy Communion.

During the Reformation there was a return to a simpler, more direct form of worship. Protestants rejected the Roman Catholic belief in ‘transubstantiation’, in which the bread and wine are miraculously transformed during the Mass into the body and blood of Christ, and proposed instead a symbolic service of shared communion. In this, the congregation would regularly take wine as well as bread, whereas before they had been chiefly spectators.

To consolidate this break with traditional religion, the church authorities launched a programme from about 1560 to replace the ‘old massing chalices’ with ‘decent’ communion cups of prescribed design. Although the new communion cups followed a standard model, there were regional variations. The inward curve of the rim of this example is typical of cups hallmarked at the Exeter assay office. John Jones made nearly two thirds of the cups that survive from Exeter.

Exeter, England, about 1574; by John Jones
(active 1555–1583/4). Silver
On loan from St James’ Parochial Church Council,
Kings Nympton, Devon
Credit line
Lent by Kingsnympton Parochial Church Council
Historical context
The Reformation in England
On the eve of the Reformation, churchgoing in England was a colourful, sensory experience, rich in ceremony. In the 1530s, however, Henry VIII threw off the authority of the pope. Under his successor Edward VI (reigned 1547-53) major changes in worship and church decoration were introduced.

English Reformers wanted a return to a simpler, more direct form of worship. Their boldest move was to reject the Roman Catholic belief in 'transubstantiation', in which the bread and wine are miraculously transformed during the Mass into the body and blood of Christ. They proposed instead a symbolic service of shared communion, conducted in interiors stripped of distracting furnishings and images. The congregation would play an active role in the communion, regularly taking wine as well as bread, whereas before they had been chiefly spectators.

Crown commissioners confiscated or destroyed much of the goldsmiths' work of the medieval church. Some parishes concealed or sold their silver before the commissioners arrived, but by the early 1550s, many were left with just a single cup and paten. Some churches had no precious metal at all.

Consolidation
The success of the Reformation by 1600 owed much to an ingrained culture of obedience to the crown. During the brief reign of Mary I (1553-8) England returned to Catholicism, but under Elizabeth I it swung back to Protestantism, spurred on by state propaganda that Catholicism represented a political threat. Even so, this rupture with the past met with quiet resistance as many people were attached to the old faith and its trappings.

To consolidate this break with traditional religion, the church authorities launched a programme from about 1560 to replace the 'old massing chalices' with 'decent' communion cups of prescribed design. This gave a massive boost to the goldsmiths' trade and the great demand led to the formal establishment of assay offices outside London, at Chester, York, Norwich and Exeter. About 2000 communion cups from the period survive.
Summary
This cup was used in Protestant worship to serve the consecrated wine during Holy Communion.

During the Reformation there was a return to a simpler, more direct form of worship. Protestants rejected the Roman Catholic belief in ‘transubstantiation’, in which the bread and wine are miraculously transformed during the Mass into the body and blood of Christ, and proposed instead a symbolic service of shared communion. In this, the congregation would regularly take wine as well as bread, whereas before they had been chiefly spectators.

To consolidate this break with traditional religion, the church authorities launched a programme from about 1560 to replace the ‘old massing chalices’ with ‘decent’ communion cups of prescribed design. Although the new communion cups followed a standard model, there were regional variations. The inward curve of the rim of this example is typical of cups hallmarked at the Exeter assay office. John Jones made nearly two thirds of the cups that survive from Exeter.
Bibliographic reference
For historical context on plate produced in Exeter and the South West, see Jackson's Silver & Gold Marks of England, Scotland & Ireland, ed. by Ian Pickford. 3rd ed., revised and enlarged, Woodbridge, Suffolk, Antique Collector's Club, 1989. ISBN 0907462634, Chapter 10, pp.280-88
Collection
Accession number
LOAN:KINGS NYMPTON C.1

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Record createdOctober 28, 2005
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