A mill on the banks of the River Stour thumbnail 1
A mill on the banks of the River Stour thumbnail 2
Request to view

This object can be requested via email from the Prints & Drawings Study Room

A mill on the banks of the River Stour

Drawing
03/10/1802 (drawn)
Artist/Maker
Place of origin

This drawing of a mill on a peaceful stretch of the Stour, made in 1802, the year Constable first exhibited at the Royal Academy, received a new lease on life in 1810, when an engraving was made after it. Constable may have made an oil painting or watercolour after the drawing, but this has so far not been identified.

Object details

Category
Object type
TitleA mill on the banks of the River Stour (popular title)
Materials and techniques
Black chalk, charcoal and traces of red chalk on paper
Brief description
Drawing of a mill on the banks of the River Stour, by John Constable
Physical description
Chalk and charcoal drawing of a mill on the banks of the River Stour. Part of the reflection of the mill may be seen in the calm water.
Dimensions
  • Height: 258mm
  • Width: 397mm
  • Height: 10 1/8in
  • Width: 15 5/8in
Marks and inscriptions
'3 Octr. Noon 1802' (Inscribed on the back in pencil by the artist. This inscription is repeated i nink by another hand. The last figure in Constable's inscription might be read as '3', but the ink copy is clear.)
Credit line
Given by Isabel Constable, daughter of the artist
Object history
An engraving (with slight variations) was made after this drawing by J. Ogborne and published by Thomas Thane in 1810. Inscribed 'J. Constable pinxt.', this may suggest that Constable made an oil painting or watercolour from the drawing.
Historical context
In 1802, the year he made this drawing, Constable exhibited at the Royal Academy for the first time; the entry, listed as 'A Landscape' in the catalogue, has not yet been identified.

'Constable exhibited for the first time at the Royal Academy in 1802, his entry being called 'A Landscape'; this painting has not yet been identified. He visited Windsor in May (see Nos. 33-35), and was at East Bergholt in the summer and autumn.'

[G Reynolds]
Subjects depicted
Place depicted
Summary
This drawing of a mill on a peaceful stretch of the Stour, made in 1802, the year Constable first exhibited at the Royal Academy, received a new lease on life in 1810, when an engraving was made after it. Constable may have made an oil painting or watercolour after the drawing, but this has so far not been identified.
Bibliographic references
  • G. Reynolds, Victoria and Albert Museum: Catalogue of the Constable Collection, pp. 46-47, no. 38.
  • J. Hayes, 'The Drawings of George Frost', Master Drawings, vol. 4, no. 2, 1966, p. 167 and n. 34.
  • Parris, Leslie and Fleming-Williams, Ian. Constable London : The Tate Gallery, 1991 no.225
Other number
pp. 46-47, no. 38 - Reynolds catalogue 1996
Collection
Accession number
841-1888

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdOctober 20, 2005
Record URL
Download as: JSONIIIF Manifest