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The Glade

Architectural Model
2009 (made)
Artist/Maker
Place of origin

Using the landscape of the Museum as a test site, the V&A invited nineteen architects to submit proposals for structures that examine notions of refuge and retreat. Responding to specific locations in the Museum, the architects explored themes such as study, work, play, performance and contemplation. Seven of the proposals were then selected for construction at full-scale.

These projects promoted an attitude to architecture where to 'dwell' meant something more than simply to find shelter. Each building invited the participation of the viewer. These immersive environments reawakened people's ability to inhabit architectural space on both a physical and an emotional level.

A delicate canopy hovers above the visitor, allowing a mixture of natural and artificially projected light to filter through the layers of the structure. The ever-shifting patterns of light and shadow evoke the dappled light cast on to a forest floor during the late afternoon sunlight of a lazy woodland walk.

Object details

Categories
Object type
TitleThe Glade (assigned by artist)
Materials and techniques
Acrylic, resin wood, MDF, brass
Brief description
Model for 1:1 Architects Build Small Spaces exhibition, 'The Glade', by Sutherland Hussey, Edinburgh, 2009.
Physical description
A model of a canopy made out of zigzag shaped strips of white acrylic held together by horizontal brass rods, the canopy is supported on a white acrylic base. The canopy is positioned within a model, made out of white resin wood and MDF, of a staircase and landing at the V&A. The model includes architectural features such as the landing balustrade and an archway. There is a transparent perspex hood over the model which is etched with outlines of windows.
Dimensions
  • Height: 530mm
  • Width: 800mm
  • Depth: 530mm
Style
Summary
Using the landscape of the Museum as a test site, the V&A invited nineteen architects to submit proposals for structures that examine notions of refuge and retreat. Responding to specific locations in the Museum, the architects explored themes such as study, work, play, performance and contemplation. Seven of the proposals were then selected for construction at full-scale.

These projects promoted an attitude to architecture where to 'dwell' meant something more than simply to find shelter. Each building invited the participation of the viewer. These immersive environments reawakened people's ability to inhabit architectural space on both a physical and an emotional level.

A delicate canopy hovers above the visitor, allowing a mixture of natural and artificially projected light to filter through the layers of the structure. The ever-shifting patterns of light and shadow evoke the dappled light cast on to a forest floor during the late afternoon sunlight of a lazy woodland walk.
Bibliographic reference
Abraham Thomas, 1:1 Architects Build Small Spaces (London: V&A publications, 2010)
Collection
Accession number
E.1429-2010

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Record createdFebruary 1, 2011
Record URL
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