The Caretaker
Drawing
1977 (designed)
1977 (designed)
| Artist/Maker | |
| Place of origin |
Costume design by Voytek depicting Max Wall as Davies in The Caretaker as performed at the Greenwich Theatre in October 1977.
This production of The Caretaker by Harold Pinter was directed by Paul Joyce and performed by the Greenwich Theatre Company at the Greenwich Theatre in October 1977.
Dubbed Voytek by George Devine, Wojciech Roman Pawel Jerzy Szendzikowski (1925-2014), was known for his distinctive designs for the stage, theatre and film. Drawing his elaborate designs from in depth analysis of each script or screenplay.
Winning the Military Cross for his role in the Second World War, Voytek transferring first to Italy and then to Scotland after the end of the war where he enrolled at the Dundee Art Collage. In 1947 he moved to London, becoming a student of stage design at the Old Vic Theatre School. His career as a stage set and costume designer began with the Nottingham Playhouse whist his work on TV drama began with ABC Television and on film with Roman Polanski’s Cul-de-Sac.
His theatrical works concentrated on major regional theatre and touring companies including the Royal Shakespeare Company, Nottingham Playhouse, Birmingham Repertory Theatre and Shared Experience; he was head of design at the Liverpool Playhouse from 1981-1982.
The collection this design is from also contains working drawings, model pieces, photograph, production notes as well as press cuttings and programmes relating to Voytek’s career as a production designer for the stage, television and film.
This production of The Caretaker by Harold Pinter was directed by Paul Joyce and performed by the Greenwich Theatre Company at the Greenwich Theatre in October 1977.
Dubbed Voytek by George Devine, Wojciech Roman Pawel Jerzy Szendzikowski (1925-2014), was known for his distinctive designs for the stage, theatre and film. Drawing his elaborate designs from in depth analysis of each script or screenplay.
Winning the Military Cross for his role in the Second World War, Voytek transferring first to Italy and then to Scotland after the end of the war where he enrolled at the Dundee Art Collage. In 1947 he moved to London, becoming a student of stage design at the Old Vic Theatre School. His career as a stage set and costume designer began with the Nottingham Playhouse whist his work on TV drama began with ABC Television and on film with Roman Polanski’s Cul-de-Sac.
His theatrical works concentrated on major regional theatre and touring companies including the Royal Shakespeare Company, Nottingham Playhouse, Birmingham Repertory Theatre and Shared Experience; he was head of design at the Liverpool Playhouse from 1981-1982.
The collection this design is from also contains working drawings, model pieces, photograph, production notes as well as press cuttings and programmes relating to Voytek’s career as a production designer for the stage, television and film.
Object details
| Categories | |
| Object type | |
| Title | The Caretaker (generic title) |
| Materials and techniques | paper, felt tip pen, crayon |
| Brief description | Costume design by Voytek depicting Max Wall as Davies in The Caretaker as performed at the Greenwich Theatre in October 1977. |
| Physical description | Black felt tip pen sketch of Max Wall in the role of Davies in The Caretaker. Red, blue, orange and yellow crayon or pencil has been added in places. |
| Dimensions |
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| Subject depicted | |
| Literary reference | The Caretaker |
| Summary | Costume design by Voytek depicting Max Wall as Davies in The Caretaker as performed at the Greenwich Theatre in October 1977. This production of The Caretaker by Harold Pinter was directed by Paul Joyce and performed by the Greenwich Theatre Company at the Greenwich Theatre in October 1977. Dubbed Voytek by George Devine, Wojciech Roman Pawel Jerzy Szendzikowski (1925-2014), was known for his distinctive designs for the stage, theatre and film. Drawing his elaborate designs from in depth analysis of each script or screenplay. Winning the Military Cross for his role in the Second World War, Voytek transferring first to Italy and then to Scotland after the end of the war where he enrolled at the Dundee Art Collage. In 1947 he moved to London, becoming a student of stage design at the Old Vic Theatre School. His career as a stage set and costume designer began with the Nottingham Playhouse whist his work on TV drama began with ABC Television and on film with Roman Polanski’s Cul-de-Sac. His theatrical works concentrated on major regional theatre and touring companies including the Royal Shakespeare Company, Nottingham Playhouse, Birmingham Repertory Theatre and Shared Experience; he was head of design at the Liverpool Playhouse from 1981-1982. The collection this design is from also contains working drawings, model pieces, photograph, production notes as well as press cuttings and programmes relating to Voytek’s career as a production designer for the stage, television and film. |
| Other number | THM/153 - Archive number |
| Collection | |
| Accession number | S.1532-1994 |
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| Record created | December 10, 2010 |
| Record URL |
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