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Wood block for the first number of 'The Illustrated London News'

Wood-Engraving
1842 (made)
Artist/Maker
Place of origin

The block used to make this image was shaped at the edges to produce a vignette image. The engraver used extremely finely engraved lines (see especially in the clouds) and cross hatchings to render the tone. This image appeared on page one of the very first issue of the Illustrated London News.
Wood engravers used the same kind of tools as were used for metal engraving, producing fine line effects. They worked on the hard end-grain rather than along the plank of wood. Box wood was commonly also used for wood engraving, which being from a very slow growing tree and therefore producing tightly packed rings, was hard enough to take engraving tools. The similar process of woodcutting by contrast was done using gouges and knives on the plank of softer wood such as holly and pear, and was therefore less capable of producing fine lines.


Object details

Categories
Object type
Titles
  • Wood block for the first number of 'The Illustrated London News' (generic title)
  • View of the Conflagration of the City of Hamburgh (assigned by artist)
Materials and techniques
wood engraving on paper
Brief description
Print from woodengraved block E.2629-1931. View of the conflagration of the city of Hamburgh. Published in Illustrated London News, 14 May 1842, p. 1.
Physical description
View of the Conflagration of the City of Hamburg. Print from woodblock E.2629-1931 for the first number of 'The London Illustrated News'.
Dimensions
  • Height: 10.9cm
  • Width: 15.7cm
Style
Production typeMass produced
Marks and inscriptions
View of the Conflagration of Hamburgh, from the Alster (printed below the image)
Place depicted
Summary
The block used to make this image was shaped at the edges to produce a vignette image. The engraver used extremely finely engraved lines (see especially in the clouds) and cross hatchings to render the tone. This image appeared on page one of the very first issue of the Illustrated London News.
Wood engravers used the same kind of tools as were used for metal engraving, producing fine line effects. They worked on the hard end-grain rather than along the plank of wood. Box wood was commonly also used for wood engraving, which being from a very slow growing tree and therefore producing tightly packed rings, was hard enough to take engraving tools. The similar process of woodcutting by contrast was done using gouges and knives on the plank of softer wood such as holly and pear, and was therefore less capable of producing fine lines.
Associated object
Bibliographic reference
Spike Bucklow and Sally Woodcock, eds. Sir John Gilbert. Art and Imagination in the Victorian Era Lund Humphries, in association with Guildhall Art Gallery, 2011. ISBN: 978-1-84822-079-9.
Collection
Accession number
E.1477-2010

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Record createdDecember 2, 2010
Record URL
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