Glasses thumbnail 1
On display

Glasses

ca.1890 (made)
Artist/Maker
Place of origin

These glasses were made for the British actor-manager Henry Irving (1838-1905). Known as his 'invisible glasses', he wore them on stage as Mephistopheles in W.G.Wills's play Faust at the Lyceum Theatre in December 1885. They are extremely light and the small lenses would have flashed in the stage lights, producing the diabolic effect which Irving wanted for Mephistopheles's eyes. Faust was one of the most spectacular productions Irving ever attempted, with stage creations of angelic visions, heavenward ascents, descents into the inferno, magical appearances, trap-door vanishings, an understage generation of steam, and even the use of electrical effects.

Irving was very short-sighted and usually wore glasses or pince-nez until the moment he stepped on stage. In his biography of his grandfather, Laurence Irving notes that a man would stand by in the wings whenever Irving had an entrance to ensure that he removed his glasses which he hid in his costume. A contemporary engraving of Irving in costume as Hamlet by Arthur Bryan shows his pince-nez suspended from a black velvet ribbon.

Delve deeper

Discover more about this object
watch ASMR at the museum Our Theatre and Performance collection includes props and costumes from many iconic moments in the history of circus, dance, drama, film, opera, pantomime, popular music – and much more. Often these objects played their part in a spectacular visual and auditory experience, but when display...

Object details

Categories
Object type
Materials and techniques
Steel wire and glass lenses
Brief description
'Invisible glasses' worn on stage by Henry Irving (1828-1905) as Mephistopheles in Faust by W.G. Wills
Physical description
Pair of glasses with small oval glass lenses, steel wire frames, ear-pieces and bridge. The wire is extremely light and is bent in large loops for the ear pieces. The glasses are made to appear as inconspicuous as possible.
Dimensions
  • Across each lens width: 3.6cm
  • Of each oval lens height: 1.5cm
  • Across the bridge width: 2.2cm
  • Of each arm from lens to ear piece length: 10.0cm
Gallery label
(07/03/2022)
Gallery rotation. 2022

ELECTRIC SHOE AND INVISIBLE GLASSES WORN BY HENRY IRVING IN FAUST
1885

Henry Irving was aware of the impact of lighting and exploited the gloom of the Lyceum’s gas-lit stage. These glasses were invisible from the auditorium but gleamed under stage lights so that Mephistopheles’s eyes appeared to cast a demonic beam. Using the latest technology, Irving ingeniously engineered a spectacular sword fight between Faust, Mephistopheles and Valentine. Real electric sparks flashed between their clashing blades. Metal plates on the stage carried the current through special shoes worn by the performers and into their swords.

Glasses
Steel wire and glass lenses
Given by the British Theatre Museum Association
Museum no. S.1214-1984

Shoe
Suede, canvas, metal and wire
Given by the Royal Shakespeare Company
Museum no. S.2766:12-2010
Credit line
Given by the British Theatre Museum Association
Object history
Given to the British Theatre Museum Association by Edward Craig (the artist Edward Carrick, son of Edward Gordon Craig) in April 1968.
Association
Summary
These glasses were made for the British actor-manager Henry Irving (1838-1905). Known as his 'invisible glasses', he wore them on stage as Mephistopheles in W.G.Wills's play Faust at the Lyceum Theatre in December 1885. They are extremely light and the small lenses would have flashed in the stage lights, producing the diabolic effect which Irving wanted for Mephistopheles's eyes. Faust was one of the most spectacular productions Irving ever attempted, with stage creations of angelic visions, heavenward ascents, descents into the inferno, magical appearances, trap-door vanishings, an understage generation of steam, and even the use of electrical effects.

Irving was very short-sighted and usually wore glasses or pince-nez until the moment he stepped on stage. In his biography of his grandfather, Laurence Irving notes that a man would stand by in the wings whenever Irving had an entrance to ensure that he removed his glasses which he hid in his costume. A contemporary engraving of Irving in costume as Hamlet by Arthur Bryan shows his pince-nez suspended from a black velvet ribbon.
Other number
1968/A/40 - BTMA accession number
Collection
Accession number
S.1214-1984

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdOctober 5, 2005
Record URL
Download as: JSONIIIF Manifest