Glasses
ca.1890 (made)
Artist/Maker | |
Place of origin |
These glasses were made for the British actor-manager Henry Irving (1838-1905). Known as his 'invisible glasses', he wore them on stage as Mephistopheles in W.G.Wills's play Faust at the Lyceum Theatre in December 1885. They are extremely light and the small lenses would have flashed in the stage lights, producing the diabolic effect which Irving wanted for Mephistopheles's eyes. Faust was one of the most spectacular productions Irving ever attempted, with stage creations of angelic visions, heavenward ascents, descents into the inferno, magical appearances, trap-door vanishings, an understage generation of steam, and even the use of electrical effects.
Irving was very short-sighted and usually wore glasses or pince-nez until the moment he stepped on stage. In his biography of his grandfather, Laurence Irving notes that a man would stand by in the wings whenever Irving had an entrance to ensure that he removed his glasses which he hid in his costume. A contemporary engraving of Irving in costume as Hamlet by Arthur Bryan shows his pince-nez suspended from a black velvet ribbon.
Irving was very short-sighted and usually wore glasses or pince-nez until the moment he stepped on stage. In his biography of his grandfather, Laurence Irving notes that a man would stand by in the wings whenever Irving had an entrance to ensure that he removed his glasses which he hid in his costume. A contemporary engraving of Irving in costume as Hamlet by Arthur Bryan shows his pince-nez suspended from a black velvet ribbon.
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Object details
Categories | |
Object type | |
Materials and techniques | Steel wire and glass lenses |
Brief description | 'Invisible glasses' worn on stage by Henry Irving (1828-1905) as Mephistopheles in Faust by W.G. Wills |
Physical description | Pair of glasses with small oval glass lenses, steel wire frames, ear-pieces and bridge. The wire is extremely light and is bent in large loops for the ear pieces. The glasses are made to appear as inconspicuous as possible. |
Dimensions |
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Gallery label |
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Credit line | Given by the British Theatre Museum Association |
Object history | Given to the British Theatre Museum Association by Edward Craig (the artist Edward Carrick, son of Edward Gordon Craig) in April 1968. |
Association | |
Summary | These glasses were made for the British actor-manager Henry Irving (1838-1905). Known as his 'invisible glasses', he wore them on stage as Mephistopheles in W.G.Wills's play Faust at the Lyceum Theatre in December 1885. They are extremely light and the small lenses would have flashed in the stage lights, producing the diabolic effect which Irving wanted for Mephistopheles's eyes. Faust was one of the most spectacular productions Irving ever attempted, with stage creations of angelic visions, heavenward ascents, descents into the inferno, magical appearances, trap-door vanishings, an understage generation of steam, and even the use of electrical effects. Irving was very short-sighted and usually wore glasses or pince-nez until the moment he stepped on stage. In his biography of his grandfather, Laurence Irving notes that a man would stand by in the wings whenever Irving had an entrance to ensure that he removed his glasses which he hid in his costume. A contemporary engraving of Irving in costume as Hamlet by Arthur Bryan shows his pince-nez suspended from a black velvet ribbon. |
Other number | 1968/A/40 - BTMA accession number |
Collection | |
Accession number | S.1214-1984 |
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Record created | October 5, 2005 |
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