We don’t have an image of this object online yet. V&A Images may have a photograph that we can’t show online, but it may be possible to supply one to you. Email us at vaimages@vam.ac.uk for guidance about fees and timescales, quoting the accession number: E.471:2-2010
Find out about our images

Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level E , Case A, Shelf 190

A Study for the Monument to Lt. -General Bennett Noel

Design
1766 (made)
Artist/Maker
Place of origin

This rough sketch made in 1766 by Joseph Nollekens (1737-1823) depicts a niche enclosing a woman leaning on a funerary urn. On the urn can be seen the portrait medallion of Lt.-General Bennett Noel. He died in 1766 and his monument is in Exton Church, Rutland. Nollekens is best known as the leading portrait sculptor in Britain between 1770 and 1815. With his fellow Royal Academicians Thomas Banks and John Flaxman he established the British School of sculpture following decades of dependence on immigrant sculptors (such as Rysbrack, Scheemakers and Roubiliac). Flaxman praised Nollekens as the only sculptor before Banks who had "formed his taste on the antique and introduced a purer style of art". The opportunities to study the antique were plentiful whilst Nollekens lived for eight years from 1762-1770 in Rome. As a draughtsman he was exceptionally well trained for his day.


Object details

Categories
Object type
TitleA Study for the Monument to Lt. -General Bennett Noel (generic title)
Materials and techniques
Chalk on laid paper
Brief description
Design for sculpture by Joseph Nollekens, 1766.
Physical description
Sketch on the back of E.470:1-2010 that depicts woman in niche leaning on an urn showing a portrait medallion of a man.
Dimensions
  • Height: 26.5cm
  • Width: 16.7cm
Production typeDesign
Marks and inscriptions
'Sotherbies [sic] 27 March, 69. Property of Mrs. M. Hill. / Lot.275. Joseph Nollekens.. Verso, A Study for the Monument to Lt.-General Bennett Noel. / Lt. -General Bennett Noel died in 1766 and his monument is in Exton Church, Rutland.' (Typed on label on inside of mount beneath design)
Object history
Historical significance: 'Nollekens is best known as the leading portrait sculptor in Britain between 1770 and 1815, and as the subject of the biography Nollekens and his Times (1828) by J.T. Smith. With his fellow Royal Academicians Thomas Banks and John Flaxman he established the British School of sculpture following decades of dependence on immigrant sculptors (such as Rysbrack, Scheemakers and Roubiliac). Flaxman praised Nollekens as the only sculptor before Banks who had "formed his taste on the antique and introduced a purer style of art". As a draughtsman he was exceptionally well trained for his day. He is also noted as a collector; he owned the three wax reliefs by Giambologna now in the V&A. The V&A's collection includes three busts by Nollekens, five of his terracottas, his marble copy after the antique, Castor and Pollux (1767)and his original marble of Diana (1778).'

Julius Bryant on RF 2010/245.
Historical context
In the ca. 2009 edition of Gunnis's Dictionary of Sculptors in Britain, design is identified as 'Sackler priv. col.'
Subjects depicted
Place depicted
Summary
This rough sketch made in 1766 by Joseph Nollekens (1737-1823) depicts a niche enclosing a woman leaning on a funerary urn. On the urn can be seen the portrait medallion of Lt.-General Bennett Noel. He died in 1766 and his monument is in Exton Church, Rutland. Nollekens is best known as the leading portrait sculptor in Britain between 1770 and 1815. With his fellow Royal Academicians Thomas Banks and John Flaxman he established the British School of sculpture following decades of dependence on immigrant sculptors (such as Rysbrack, Scheemakers and Roubiliac). Flaxman praised Nollekens as the only sculptor before Banks who had "formed his taste on the antique and introduced a purer style of art". The opportunities to study the antique were plentiful whilst Nollekens lived for eight years from 1762-1770 in Rome. As a draughtsman he was exceptionally well trained for his day.
Bibliographic reference
Roscoe, Ingrid, Hardy, Emma, Sullivan, M. G. A biographical dictionary of sculptors in England, 1660-1851. New Haven [Conn.]; London: Yale University Press, c.2009. pp.896-911.
Collection
Accession number
E.471:2-2010

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdAugust 18, 2010
Record URL
Download as: JSON