A Study for the Monument to Lt. -General Bennett Noel
Design
1766 (made)
1766 (made)
Artist/Maker | |
Place of origin |
This rough sketch made in 1766 by Joseph Nollekens (1737-1823) depicts a niche enclosing a woman leaning on a funerary urn. On the urn can be seen the portrait medallion of Lt.-General Bennett Noel. He died in 1766 and his monument is in Exton Church, Rutland. Nollekens is best known as the leading portrait sculptor in Britain between 1770 and 1815. With his fellow Royal Academicians Thomas Banks and John Flaxman he established the British School of sculpture following decades of dependence on immigrant sculptors (such as Rysbrack, Scheemakers and Roubiliac). Flaxman praised Nollekens as the only sculptor before Banks who had "formed his taste on the antique and introduced a purer style of art". The opportunities to study the antique were plentiful whilst Nollekens lived for eight years from 1762-1770 in Rome. As a draughtsman he was exceptionally well trained for his day.
Object details
Categories | |
Object type | |
Title | A Study for the Monument to Lt. -General Bennett Noel (generic title) |
Materials and techniques | Chalk on laid paper |
Brief description | Design for sculpture by Joseph Nollekens, 1766. |
Physical description | Sketch on the back of E.470:1-2010 that depicts woman in niche leaning on an urn showing a portrait medallion of a man. |
Dimensions |
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Production type | Design |
Marks and inscriptions | 'Sotherbies [sic] 27 March, 69. Property of Mrs. M. Hill. / Lot.275. Joseph Nollekens.. Verso, A Study for the Monument to Lt.-General Bennett Noel. / Lt. -General Bennett Noel died in 1766 and his monument is in Exton Church, Rutland.' (Typed on label on inside of mount beneath design) |
Object history | Historical significance: 'Nollekens is best known as the leading portrait sculptor in Britain between 1770 and 1815, and as the subject of the biography Nollekens and his Times (1828) by J.T. Smith. With his fellow Royal Academicians Thomas Banks and John Flaxman he established the British School of sculpture following decades of dependence on immigrant sculptors (such as Rysbrack, Scheemakers and Roubiliac). Flaxman praised Nollekens as the only sculptor before Banks who had "formed his taste on the antique and introduced a purer style of art". As a draughtsman he was exceptionally well trained for his day. He is also noted as a collector; he owned the three wax reliefs by Giambologna now in the V&A. The V&A's collection includes three busts by Nollekens, five of his terracottas, his marble copy after the antique, Castor and Pollux (1767)and his original marble of Diana (1778).' Julius Bryant on RF 2010/245. |
Historical context | In the ca. 2009 edition of Gunnis's Dictionary of Sculptors in Britain, design is identified as 'Sackler priv. col.' |
Subjects depicted | |
Place depicted | |
Summary | This rough sketch made in 1766 by Joseph Nollekens (1737-1823) depicts a niche enclosing a woman leaning on a funerary urn. On the urn can be seen the portrait medallion of Lt.-General Bennett Noel. He died in 1766 and his monument is in Exton Church, Rutland. Nollekens is best known as the leading portrait sculptor in Britain between 1770 and 1815. With his fellow Royal Academicians Thomas Banks and John Flaxman he established the British School of sculpture following decades of dependence on immigrant sculptors (such as Rysbrack, Scheemakers and Roubiliac). Flaxman praised Nollekens as the only sculptor before Banks who had "formed his taste on the antique and introduced a purer style of art". The opportunities to study the antique were plentiful whilst Nollekens lived for eight years from 1762-1770 in Rome. As a draughtsman he was exceptionally well trained for his day. |
Bibliographic reference | Roscoe, Ingrid, Hardy, Emma, Sullivan, M. G. A biographical dictionary of sculptors in England, 1660-1851. New Haven [Conn.]; London: Yale University Press, c.2009. pp.896-911. |
Collection | |
Accession number | E.471:2-2010 |
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Record created | August 18, 2010 |
Record URL |
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