A Preliminary Sketch for the Monument to the Hon. Mrs Henry Howard in Wetheral Church, Cumberland
Design
1782 (made)
1782 (made)
Artist/Maker | |
Place of origin |
This design made by Joseph Nollekens is for a sepulchral monument, a structure marking or denoting a burial site, commemorating the tragic deaths of Mrs Henry Howard and her newborn baby. She died in childbirth. Her monument is in Wetheral Church, Cumberland. The design represents Religion, in the form of a woman, comforting the dying Mrs Howard with her infant in her lap. This monument was widely praised as Nollekens' masterpiece by his contemporaries. There is a terracotta model for this monument in the Victoria and Albert Museum (V&A) which shows Nollekens' first idea for the project. This drawing is compositionally much closer to the monument of which there is a trial drawing in the V&A. Nollekens is best known as the leading portrait sculptor in Britain between 1770 and 1815. With his fellow Royal Academicians Thomas Banks and John Flaxman he established the British School of sculpture following decades of dependence on immigrant sculptors (such as Rysbrack, Scheemakers and Roubiliac). Flaxman praised Nollekens as the only sculptor before Banks who had "formed his taste on the antique and introduced a purer style of art". As a draughtsman he was exceptionally well trained for his day.
Object details
Categories | |
Object type | |
Title | A Preliminary Sketch for the Monument to the Hon. Mrs Henry Howard in Wetheral Church, Cumberland (generic title) |
Materials and techniques | Chalk and wash on laid paper |
Brief description | Design for sculpture by Joseph Nollekens, London, 1782. |
Physical description | Design showing a weeping female figure standing over the reclining figure of a woman with a supine baby. |
Dimensions |
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Production type | Design |
Marks and inscriptions |
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Object history | Historical significance: 'Nollekens is best known as the leading portrait sculptor in Britain between 1770 and 1815, and as the subject of the biography Nollekens and his Times (1828) by J.T. Smith. With his fellow Royal Academicians Thomas Banks and John Flaxman he established the British School of sculpture following decades of dependence on immigrant sculptors (such as Rysbrack, Scheemakers and Roubiliac). Flaxman praised Nollekens as the only sculptor before Banks who had "formed his taste on the antique and introduced a purer style of art". As a draughtsman he was exceptionally well trained for his day. He is also noted as a collector; he owned the three wax reliefs by Giambologna now in the V&A. The V&A's collection includes three busts by Nollekens, five of his terracottas, his marble copy after the antique, Castor and Pollux (1767)and his original marble of Diana (1778).' Julius Bryant on RF 2010/245. |
Historical context | In the ca. 2009 edition of Gunnis's Dictionary of Sculptors in Britain, design is identified as 'Sackler priv. col.' |
Production | Attribution note: There is a terracotta model for this monument in the Victoria and Albert Museum which shows Nollekens' first idea for project. This drawing is compositionally much closer to the monument of which there is a trial drawing in the Victoria and Albert Museum. |
Subjects depicted | |
Place depicted | |
Summary | This design made by Joseph Nollekens is for a sepulchral monument, a structure marking or denoting a burial site, commemorating the tragic deaths of Mrs Henry Howard and her newborn baby. She died in childbirth. Her monument is in Wetheral Church, Cumberland. The design represents Religion, in the form of a woman, comforting the dying Mrs Howard with her infant in her lap. This monument was widely praised as Nollekens' masterpiece by his contemporaries. There is a terracotta model for this monument in the Victoria and Albert Museum (V&A) which shows Nollekens' first idea for the project. This drawing is compositionally much closer to the monument of which there is a trial drawing in the V&A. Nollekens is best known as the leading portrait sculptor in Britain between 1770 and 1815. With his fellow Royal Academicians Thomas Banks and John Flaxman he established the British School of sculpture following decades of dependence on immigrant sculptors (such as Rysbrack, Scheemakers and Roubiliac). Flaxman praised Nollekens as the only sculptor before Banks who had "formed his taste on the antique and introduced a purer style of art". As a draughtsman he was exceptionally well trained for his day. |
Associated objects |
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Bibliographic reference | Roscoe, Ingrid, Hardy, Emma, Sullivan, M. G. A biographical dictionary of sculptors in England, 1660-1851. New Haven [Conn.]; London: Yale University Press, c.2009. pp.896-911. |
Collection | |
Accession number | E.470-2010 |
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Record created | August 17, 2010 |
Record URL |
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