Not on display

Professor Henry John Stephen Smith

Bust
1883 (made)
Artist/Maker
Place of origin

This bust is made by Sir Joseph Edgar Boehm in 1883 and represents Porfessor Henry John Stephen Smith. Smith (1826-1883) was Professor of Geometry at Oxford University from 1861 until his death. A marble bust by Boehm dating from 1883 is at the University Museum in Oxford. This model is one of four busts of Smith included in the Boehm bequest of 1892. In this version Smith is depicted in plain dress although other variants show him in academic robes.

Boehm (1834-1890) was an English sculptor and medallist born in Austrian, as the youngest son of Joseph Daniel Boehm (1794–1865), a court medallist and director of the Imperial Mint at Vienna. From 1848 to 1851 Joseph Edgar attended Leigh’s art academy (later Heatherley’s) in London and drew the Parthenon marbles in the British Museum. On his return to Vienna he enrolled at the Akademie der Bildenden Künste. Around 1858–9 he visited Italy, where he developed a lasting admiration for early Renaissance sculpture. From 1859 to 1862 he worked in Paris and was influenced by the work of Paul Gayrard (1807–1855). Boehm settled in London in 1862 where he befriended John Leech and John Everett Millais, both of whom he portrayed in statuettes in 1863. A statuette of William Makepeace Thackeray (1864) led to an edition of 70 plaster casts. Boehm frequently worked in terracotta, a material common in French sculpture but less familiar in English. Queen Victoria’s admiration of Boehm’s statuettes led to an association with the royal family that lasted from 1869 until his death. Most of Boehm’s works are portrait busts. Boehm was immensely prolific: some 360 different works are documented. He was a highly consistent sculptor, rarely deviating from his brand of realism. He was modest about his immense popularity and aware of his imaginative shortcomings (cit.: M. Stocker: 'Boehm, Joseph Edgar').

Object details

Categories
Object type
TitleProfessor Henry John Stephen Smith (generic title)
Materials and techniques
Brief description
Bust, plaster model, of Professor Henry John Stephen Smith, by Sir Joseph Edgar Boehm, England, 1883
Physical description
Bust of Smith, signed and inscribed.
Dimensions
  • Height: 66cm
  • Width: 45cm
  • Depth: 30cm
  • Weight: 23.5kg
Marks and inscriptions
  • 'BOEHM fecit/1883' (signed)
  • 'PROFESSOR/HENRY SMITH' (inscribed at back )
Credit line
Boehm Bequest
Object history
Given by the Executors of the late Sir Joseph Edgar Boehm in 1892.
Subject depicted
Summary
This bust is made by Sir Joseph Edgar Boehm in 1883 and represents Porfessor Henry John Stephen Smith. Smith (1826-1883) was Professor of Geometry at Oxford University from 1861 until his death. A marble bust by Boehm dating from 1883 is at the University Museum in Oxford. This model is one of four busts of Smith included in the Boehm bequest of 1892. In this version Smith is depicted in plain dress although other variants show him in academic robes.

Boehm (1834-1890) was an English sculptor and medallist born in Austrian, as the youngest son of Joseph Daniel Boehm (1794–1865), a court medallist and director of the Imperial Mint at Vienna. From 1848 to 1851 Joseph Edgar attended Leigh’s art academy (later Heatherley’s) in London and drew the Parthenon marbles in the British Museum. On his return to Vienna he enrolled at the Akademie der Bildenden Künste. Around 1858–9 he visited Italy, where he developed a lasting admiration for early Renaissance sculpture. From 1859 to 1862 he worked in Paris and was influenced by the work of Paul Gayrard (1807–1855). Boehm settled in London in 1862 where he befriended John Leech and John Everett Millais, both of whom he portrayed in statuettes in 1863. A statuette of William Makepeace Thackeray (1864) led to an edition of 70 plaster casts. Boehm frequently worked in terracotta, a material common in French sculpture but less familiar in English. Queen Victoria’s admiration of Boehm’s statuettes led to an association with the royal family that lasted from 1869 until his death. Most of Boehm’s works are portrait busts. Boehm was immensely prolific: some 360 different works are documented. He was a highly consistent sculptor, rarely deviating from his brand of realism. He was modest about his immense popularity and aware of his imaginative shortcomings (cit.: M. Stocker: 'Boehm, Joseph Edgar').
Bibliographic references
  • List of Objects in the Art Division South Kensington Museum acquired during the Year 1892. Arranged according to the dates of acquisition, with appendix and indices. London: Eyre and Spottiswoode, 1893. pp. 223
  • Bilbey, Diane with Trusted, Marjorie. British Sculpture 1470 to 2000. A Concise Catalogue of the Collection at the Victoria and Albert Museum. London: V& A Publications, 2002, pp. 207-8, cat. no. 302
Collection
Accession number
1776-1892

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Record createdSeptember 27, 2005
Record URL
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