Not on display

Foote, the Devil and Polly Pattens

Print
February 1773 (published)
Artist/Maker
Place of origin

In 1766 the actor-manager and playwright Samuel Foote (1720-1777) was granted a royal warrant by King George III for summer theatre at the Little Theatre, Haymarket. After Foote's first season as a royal patent holder, Foote tore down the old theatre and rebuilt a new one on the same site, with a capacity of a thousand. The new theatre was successful but to recoup his costs Foote petitioned for his summer license to be extended. Since this was never granted, Foote circumvented the licensing laws by presenting a satirical play in February 1773 with puppets, called The Primitive Puppet Show. Publicised as The Handsome Housemaid, or Piety in Pattens, (pattens being wooden overshoes worn by ladies to elevate them from the mud and filth of the streets), the play was intended as a parody of the current vogue for sentimental comedy, of contemporary acting styles in general, and that of his rival David Garrick in particular.

An excellent mimic, Foote would probably have been the voices for some of the puppet characters. When asked by a lady whether the puppets were life-size, Foote apparently replied, referring to Garrick's diminutive size: 'Oh dear, Madam, no: not much above the size of Garrick.' Garrick nevertheless saw the show and admired it, writing to a friend: 'Foote is a genius... He means me no harm I am sure ... and I wish him success from my soul.' Happily for Foote it was a huge success, The Gentleman's Magazine reporting that on the first night: 'The Novelty of it brought such a crowd... that the Haymarket was impassable for over an hour.'

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read "That's the way to do it!" A history of Punch & Judy Punch and Judy is the traditional puppet show featuring Mr. Punch and his wife Judy. An archetypical and controversial British figure with his origins in the charismatic 16th century Italian puppet Pulcinella, Mr Punch has been performing in the UK for over 350 years.

Object details

Categories
Object type
TitleFoote, the Devil and Polly Pattens (assigned by artist)
Materials and techniques
ink on paper
Brief description
'Foote, the Devil and Polly Pattens'. Print depicting Samuel Foote's The Primitive Puppet Show, Haymarket Theatre, 15 February 1773. Published in The Macaroni and Theatrical Magazine, February 1773, George Speaight Punch & Judy Collection.
Physical description
Engraving illustrating Samuel Foote, stage left with two puppet characters and actors on stage entitled 'Foote, the Devil and Polly Pattens'.
Dimensions
  • Height: 12.1cm
  • Width: 20.4cm
Credit line
Accepted by HM Government in Lieu of Inheritance Tax and allocated to the V&A in 2010.
Subjects depicted
Summary
In 1766 the actor-manager and playwright Samuel Foote (1720-1777) was granted a royal warrant by King George III for summer theatre at the Little Theatre, Haymarket. After Foote's first season as a royal patent holder, Foote tore down the old theatre and rebuilt a new one on the same site, with a capacity of a thousand. The new theatre was successful but to recoup his costs Foote petitioned for his summer license to be extended. Since this was never granted, Foote circumvented the licensing laws by presenting a satirical play in February 1773 with puppets, called The Primitive Puppet Show. Publicised as The Handsome Housemaid, or Piety in Pattens, (pattens being wooden overshoes worn by ladies to elevate them from the mud and filth of the streets), the play was intended as a parody of the current vogue for sentimental comedy, of contemporary acting styles in general, and that of his rival David Garrick in particular.

An excellent mimic, Foote would probably have been the voices for some of the puppet characters. When asked by a lady whether the puppets were life-size, Foote apparently replied, referring to Garrick's diminutive size: 'Oh dear, Madam, no: not much above the size of Garrick.' Garrick nevertheless saw the show and admired it, writing to a friend: 'Foote is a genius... He means me no harm I am sure ... and I wish him success from my soul.' Happily for Foote it was a huge success, The Gentleman's Magazine reporting that on the first night: 'The Novelty of it brought such a crowd... that the Haymarket was impassable for over an hour.'
Other number
Punch Small Size File
Collection
Accession number
S.1004-2010

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Record createdJune 11, 2010
Record URL
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