Not on display

H Beard Print Collection

Print
ca. 18th century (published)
Artist/Maker
Place of origin

The daughter of two musicians for the deposed King of Poland Stanislas Leszcynski whose court at Lunéville became famous as a cultural centre, Justine Duronceray was educated in dance, music and literature, and performed under the stage name Mlle Chantilly in 1744 at the Saint-Laurent Fair, Paris dancing the role of Laurence in Les Fêtes Publiques. In 1745 she married the theatre director Charles-Simon Favart who between 1746 and 1748 set up a company at the Theatre de la Monnaie de Bruxelles where she became a success dancing in works created by her husband.

On their return to Paris in 1749 she abandoned dancing in favour of acting at the Comedie Italienne, but was confined in a convent in 1750 after becoming the mistress of Maurice, Comte de Saxe, a Marshal of France and her husband’s patron. She returned to the stage after the death of the Marshal and became a great favourite at the Comedie Italienne where she was an advocate of realistic stage costume. Her life was fictionalised in Offenbach’s 1878 comic opera Madame Favart.

Object details

Categories
Object type
TitleH Beard Print Collection (named collection)
Materials and techniques
Lithograph
Brief description
Print depicting the actress Madame Favart (Marie Justine Benoîte Duronceray) (1727-1772) published by J. Caboche & Co, from the series 'Le Monde Dramatique', Harry Beard Collection.
Physical description
Print depicting Madame Favart, framed with decorative illustrations.
Dimensions
  • Height: 26.7cm
  • Width: 20.3cm
Credit line
Harry R. Beard Collection, given by Isobel Beard
Subject depicted
Summary
The daughter of two musicians for the deposed King of Poland Stanislas Leszcynski whose court at Lunéville became famous as a cultural centre, Justine Duronceray was educated in dance, music and literature, and performed under the stage name Mlle Chantilly in 1744 at the Saint-Laurent Fair, Paris dancing the role of Laurence in Les Fêtes Publiques. In 1745 she married the theatre director Charles-Simon Favart who between 1746 and 1748 set up a company at the Theatre de la Monnaie de Bruxelles where she became a success dancing in works created by her husband.

On their return to Paris in 1749 she abandoned dancing in favour of acting at the Comedie Italienne, but was confined in a convent in 1750 after becoming the mistress of Maurice, Comte de Saxe, a Marshal of France and her husband’s patron. She returned to the stage after the death of the Marshal and became a great favourite at the Comedie Italienne where she was an advocate of realistic stage costume. Her life was fictionalised in Offenbach’s 1878 comic opera Madame Favart.
Collection
Accession number
S.629-2010

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Record createdMay 20, 2010
Record URL
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