H Beard Print Collection
Print
1772 (published)
1772 (published)
Artist/Maker | |
Place of origin |
This shows the actress Madame Favart (1727-1772), wife of the actor, and leading figure in the Comédie Italienne, Charles Simon Favart. She is shown in the costume worn for the role of La Vieille in Egidio Duni's Le Fée Urgele a play in which she created the role of the heroine.
The daughter of two musicians for the deposed King of Poland Stanislas Leszcynski whose court at Lunéville became famous as a cultural centre, Justine Duronceray was educated in dance, music and literature, and performed under the stage name Mlle Chantilly in 1744 at the Saint-Laurent Fair, Paris dancing the role of Laurence in Les Fêtes Publiques. In 1745 she married the theatre director Charles-Simon Favart who between 1746 and 1748 set up a company at the Théâtre de la Monnaie de Bruxelles where she became a success dancing in works created by her husband.
On their return to Paris in 1749 she abandoned dancing in favour of acting at the Comédie Italienne, but was confined in a convent in 1750 after becoming the mistress of Maurice, Comte de Saxe, a Marshal of France and her husband’s patron. She returned to the stage after the death of the Marshal and became a great favourite at the Comedie Italienne where she was an advocate of realism in stage costume. Her life was fictionalised in Offenbach’s 1878 comic opera Madame Favart.
One of a collection of 26 theatrical lithographs. The lithographer is not named but all the lithographs appear to have been published by Robert Sayer, London (1772).
The daughter of two musicians for the deposed King of Poland Stanislas Leszcynski whose court at Lunéville became famous as a cultural centre, Justine Duronceray was educated in dance, music and literature, and performed under the stage name Mlle Chantilly in 1744 at the Saint-Laurent Fair, Paris dancing the role of Laurence in Les Fêtes Publiques. In 1745 she married the theatre director Charles-Simon Favart who between 1746 and 1748 set up a company at the Théâtre de la Monnaie de Bruxelles where she became a success dancing in works created by her husband.
On their return to Paris in 1749 she abandoned dancing in favour of acting at the Comédie Italienne, but was confined in a convent in 1750 after becoming the mistress of Maurice, Comte de Saxe, a Marshal of France and her husband’s patron. She returned to the stage after the death of the Marshal and became a great favourite at the Comedie Italienne where she was an advocate of realism in stage costume. Her life was fictionalised in Offenbach’s 1878 comic opera Madame Favart.
One of a collection of 26 theatrical lithographs. The lithographer is not named but all the lithographs appear to have been published by Robert Sayer, London (1772).
Object details
Categories | |
Object type | |
Title | H Beard Print Collection (named collection) |
Materials and techniques | Lithography |
Brief description | Madame Favart (Marie Justine Benoîte Duronceray) (1727-1772) as La Vielle in Le Fée Urgele, Act III. One of a bound collection of lithographs of French Dramatic Characters, published by Robert Sayer, London, 1772. Harry Beard Collection. |
Physical description | Printed in the centre of the page this full length lithograph shows a young woman, assuming the posture and mannerisms of an elderly lady. Dressed in a frilled cap, her arms are folded as she leans her weight against her walking stick. |
Dimensions |
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Credit line | Harry R. Beard Collection, given by Isobel Beard |
Subject depicted | |
Literary reference | Le Fée Urgele |
Summary | This shows the actress Madame Favart (1727-1772), wife of the actor, and leading figure in the Comédie Italienne, Charles Simon Favart. She is shown in the costume worn for the role of La Vieille in Egidio Duni's Le Fée Urgele a play in which she created the role of the heroine. The daughter of two musicians for the deposed King of Poland Stanislas Leszcynski whose court at Lunéville became famous as a cultural centre, Justine Duronceray was educated in dance, music and literature, and performed under the stage name Mlle Chantilly in 1744 at the Saint-Laurent Fair, Paris dancing the role of Laurence in Les Fêtes Publiques. In 1745 she married the theatre director Charles-Simon Favart who between 1746 and 1748 set up a company at the Théâtre de la Monnaie de Bruxelles where she became a success dancing in works created by her husband. On their return to Paris in 1749 she abandoned dancing in favour of acting at the Comédie Italienne, but was confined in a convent in 1750 after becoming the mistress of Maurice, Comte de Saxe, a Marshal of France and her husband’s patron. She returned to the stage after the death of the Marshal and became a great favourite at the Comedie Italienne where she was an advocate of realism in stage costume. Her life was fictionalised in Offenbach’s 1878 comic opera Madame Favart. One of a collection of 26 theatrical lithographs. The lithographer is not named but all the lithographs appear to have been published by Robert Sayer, London (1772). |
Collection | |
Accession number | S.523:19-2010 |
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Record created | May 12, 2010 |
Record URL |
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