Wedding Corset thumbnail 1
Wedding Corset thumbnail 2
+2
images
Not on display

Wedding Corset

1887 (made)
Artist/Maker
Place of origin

Fashion and technological innovation changed the shape of late ninteenth-century corsets. As the bustle replaced the crinoline and bodices contoured the figure, corsets became longer to achieve the desired hourglass silhouette. They encased the abdomen and enveloped the hips, and the amount of whalebone also increased to give a smoother outline and help prevent wrinkling of the fabric. This corset from the 1880s is composed of twelve separate shaped pieces and forty whalebone strips.

To improve shape, performance and comfort, manufacturers claimed numerous inventions. One of the most successful was the steam-moulding process developed by Edwin Izod in 1868, and still used in the 1880s to create elegant corsets such as this one. The procedure involved placing a corset, wet with starch, on a steam-heated copper torso form until it dried into shape. The result was a beautifully formed corset, whereby 'the fabric and bones are adapted with marvellous accuracy to every curve and undulation of the finest type of figure' (The Ladies' Gazette of Fashion advertisement, London July 1879).

This corset was worn by the donor's mother at her wedding in 1887.

Delve deeper

Discover more about this object
read Corsets, crinolines and bustles: fashionable Victorian underwear

Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Corset
  • Corset
Materials and techniques
Satin, silk thread flossing and silk braid, lace, lined with coutil
Brief description
Izod's patent and moulded sewn satin corset, made by Edwin Izod, England, 1887
Physical description
Corset made of white satin with metal slot-and-stud fastening. With hand silk flossing and a machine-woven silk braid trimming. Lined with coutil. Spoon busk and back facing.
Dimensions
  • Waist circumference: 52cm (Note: Measured by Conservation)
  • Back length: 11.5in
Marks and inscriptions
'IZOD'S PATENT MOULDED SEWN CORSETS [anchor mark] TRADE MARK (Stamped inside within oval cartouche)
Gallery label
(2011)
Steam-moulded wedding corset
Edwin Izod (about 1825-87)
Portsea, Britain
1883

Brides-to-be were advised to buy at least one corset as part of their trousseau, the collection of clothes and linens they prepared for their marriage. This corset was manufactured by Edwin Izod, who used a steam-moulding technique to improve his corsets' shape, performance and comfort.

Silk satin trimmed with machine lace
Given by Miss Benjamin
V&A: T.265&A-1960
Credit line
Given by Miss Benjamin
Object history
Edwin Izod was a British corset manufacturer whose factory was located in Hampshire in the late 19th century. According to the record of his baptism, Izod was born on 25th of December 1826 and baptised in the parish of St. Leonard's in Shoreditch in 1829. The 1881 Census recorded that Edwin Izod's business employed a workforce of 23 males and 337 females. According to the National Probate Calendar Izod died at Stanfield House, Southampton, in 1887.
RF FILE 60/1259.
Summary
Fashion and technological innovation changed the shape of late ninteenth-century corsets. As the bustle replaced the crinoline and bodices contoured the figure, corsets became longer to achieve the desired hourglass silhouette. They encased the abdomen and enveloped the hips, and the amount of whalebone also increased to give a smoother outline and help prevent wrinkling of the fabric. This corset from the 1880s is composed of twelve separate shaped pieces and forty whalebone strips.

To improve shape, performance and comfort, manufacturers claimed numerous inventions. One of the most successful was the steam-moulding process developed by Edwin Izod in 1868, and still used in the 1880s to create elegant corsets such as this one. The procedure involved placing a corset, wet with starch, on a steam-heated copper torso form until it dried into shape. The result was a beautifully formed corset, whereby 'the fabric and bones are adapted with marvellous accuracy to every curve and undulation of the finest type of figure' (The Ladies' Gazette of Fashion advertisement, London July 1879).

This corset was worn by the donor's mother at her wedding in 1887.
Collection
Accession number
T.265&A-1960

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdAugust 26, 2005
Record URL
Download as: JSONIIIF Manifest