Photograph

1989 (made)
Artist/Maker
Place of origin

Jo Spence was a feminist artist and activist who explored themes of gender, class and self-identity. After Spence was diagnosed with breast cancer in 1982, she made several series of self-portraits documenting her battle with the disease until her death from leukaemia a decade later. The photographs expressed her physical and emotional state. Spence's doctor and collaborator Tim Sheard explained, ‘Spence is representing the honest emotions felt living in an unruly body that cannot conform to the pressures of female perfection expected and idealised in Western society’.

Working with artist and psychoanalyst Rosy Martin, Spence developed a co-counselling practice they called 'Phototherapy', which aimed to resolve emotional issues, anxieties or past traumatic experiences through role play and photographic portraiture. The series Libido Uprising criticises the role of women being limited to either carrying out domestic chores or the object of sexual desire. In this image, Spence stands erect as a sentry, carrying the familiar prop of the vacuum cleaner as the soldier would carry a weapon. As a sentry is disciplined to conform to the duties of his post, so Spence bears the vacuum cleaner as a symbol of the domestic duties so often expected of women.

Object details

Category
Object type
Materials and techniques
Colour photograph
Brief description
Photograph by Jo Spence in collaboration with Rosy Martin, from the series Libido Uprising, C-type print, 1989.
Physical description
Colour photo, woman holding hoover.
Dimensions
  • Height: 40cm
  • Width: 27.5cm
Gallery label
(May 2023)
Here Spence challenges female stereotypes by performing the role of both housewife and seductress. In one image she stands armed with her hoover, ready to tackle her domestic duties, but in the other, she is shown wearing fishnet stockings and heels,the vacuum tube coiled sensuously up her leg. Both characters reference the clichéd actions women are expected to perform with enthusiasm, be it household chores or sexual temptation.
Credit line
Given by Terry Dennett and The Jo Spence Memorial Archive
Summary
Jo Spence was a feminist artist and activist who explored themes of gender, class and self-identity. After Spence was diagnosed with breast cancer in 1982, she made several series of self-portraits documenting her battle with the disease until her death from leukaemia a decade later. The photographs expressed her physical and emotional state. Spence's doctor and collaborator Tim Sheard explained, ‘Spence is representing the honest emotions felt living in an unruly body that cannot conform to the pressures of female perfection expected and idealised in Western society’.

Working with artist and psychoanalyst Rosy Martin, Spence developed a co-counselling practice they called 'Phototherapy', which aimed to resolve emotional issues, anxieties or past traumatic experiences through role play and photographic portraiture. The series Libido Uprising criticises the role of women being limited to either carrying out domestic chores or the object of sexual desire. In this image, Spence stands erect as a sentry, carrying the familiar prop of the vacuum cleaner as the soldier would carry a weapon. As a sentry is disciplined to conform to the duties of his post, so Spence bears the vacuum cleaner as a symbol of the domestic duties so often expected of women.
Collection
Accession number
E.394-2010

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdApril 8, 2010
Record URL
Download as: JSONIIIF Manifest