Bracelet thumbnail 1
Bracelet thumbnail 2
Image of Gallery in South Kensington
On display at V&A South Kensington
Jewellery, Rooms 91, The William and Judith Bollinger Gallery

Bracelet

ca. 1830-ca. 1850 (made)
Artist/Maker
Place Of Origin

The colourful and flamboyant jewellery of the 1820s and 1830s could be set with up to a dozen different stones within a rich gold and coloured gold framework. Special manufacturing techniques and decorative effects were used to achieve an expensive finish using smaller amounts of gold. Although lightly made, this opulent jewellery looked heavier than earlier Neo-classical work.

The highly ornate filigree work of spirals (cannetille) and granules (grainti) added an appealing relief texture, but it was more popular on mainland Europe than in England, where clients preferred more substantial areas of plain gold.


object details
Categories
Object Type
Materials and Techniques
Gold, gold filigree, <i>cannetille</i> and <i>grainti</i> decoration, pearls and turquoises
Brief Description
Bracelet, flexible band of gold, filigree with cannetille and grainti decoration, set with pearls and turquoises, western Europe, about 1830-50
Physical Description
Bracelet, flexible band of gold, with clasp and central motif of gold filigree with cannetille and grainti decoration, set with pearls and turquoises. The filigree pieces were taken form another bracelet and re-mounted with a new slide and band.
Dimensions
  • Height: 3.7cm
  • Width: 9.8cm
  • Depth: 4.5cm
Credit line
Cory Bequest
Subject depicted
Summary
The colourful and flamboyant jewellery of the 1820s and 1830s could be set with up to a dozen different stones within a rich gold and coloured gold framework. Special manufacturing techniques and decorative effects were used to achieve an expensive finish using smaller amounts of gold. Although lightly made, this opulent jewellery looked heavier than earlier Neo-classical work.



The highly ornate filigree work of spirals (cannetille) and granules (grainti) added an appealing relief texture, but it was more popular on mainland Europe than in England, where clients preferred more substantial areas of plain gold.
Collection
Accession Number
M.110-1951

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record createdAugust 19, 2005
Record URL