Jamie Reid archive
Poster
1978 (designed)
1978 (designed)
Artist/Maker | |
Place of origin |
This promotional poster relates to the fifth single released by the Sex Pistols. It was originally titled Cosh The Driver, after Ronnie Biggs' role in the The Great Train Robbery of 1963, but was changed to No One Is Innocent. Biggs collaborated with the band in South America after singer Johnny Rotten left during their US tour in 1978.
Jamie Reid's cut-and-paste aesthetic developed from his interest in radical politics. His artistic style developed while at art college in Croydon, where he was influenced by the ideas of the avant-garde political group, the Situationist International. The political slant to his art was aroused by the May 1968 Paris student riots, which inspired fraternal protests organised by Reid at the Croydon College of Art. These were directed with fellow student Malcolm McLaren, later to become the manager of the Sex Pistols.
Jamie Reid's cut-and-paste aesthetic developed from his interest in radical politics. His artistic style developed while at art college in Croydon, where he was influenced by the ideas of the avant-garde political group, the Situationist International. The political slant to his art was aroused by the May 1968 Paris student riots, which inspired fraternal protests organised by Reid at the Croydon College of Art. These were directed with fellow student Malcolm McLaren, later to become the manager of the Sex Pistols.
Object details
Categories | |
Object type | |
Title | Jamie Reid archive (named collection) |
Materials and techniques | Offset lithography on paper. |
Brief description | Promotional poster for the single 'No-one is Innocent' by Sex Pistols and Ronnie Biggs, 1978. Jamie Reid archive |
Physical description | Promotional poster for the single 'No-one is Innocent' by Sex Pistols and Ronnie Biggs. Black and white photographic poster featuring the band fronted by Ronnie Biggs, the title at the top and advertising for 'The Great Rock 'n' Roll Swindle' at the bottom. |
Dimensions |
|
Subjects depicted | |
Summary | This promotional poster relates to the fifth single released by the Sex Pistols. It was originally titled Cosh The Driver, after Ronnie Biggs' role in the The Great Train Robbery of 1963, but was changed to No One Is Innocent. Biggs collaborated with the band in South America after singer Johnny Rotten left during their US tour in 1978. Jamie Reid's cut-and-paste aesthetic developed from his interest in radical politics. His artistic style developed while at art college in Croydon, where he was influenced by the ideas of the avant-garde political group, the Situationist International. The political slant to his art was aroused by the May 1968 Paris student riots, which inspired fraternal protests organised by Reid at the Croydon College of Art. These were directed with fellow student Malcolm McLaren, later to become the manager of the Sex Pistols. |
Collection | |
Accession number | S.813-1990 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | February 19, 2010 |
Record URL |
Download as: JSON