Jamie Reid archive
Artwork
1977 - 78 (designed)
1977 - 78 (designed)
| Artist/Maker | |
| Place of origin |
This collection of various photocopies would have been used in producing the artworks for the Sex Pistols seen in the Jamie Reid archive.
Jamie Reid's cut-and-paste aesthetic developed from his interest in radical politics. His artistic style developed while at art college in Croydon, where he was influenced by the ideas of the avant-garde political group, the Situationist International. The political slant to his art was aroused by the May 1968 Paris student riots, which inspired fraternal protests organised by Reid at the Croydon College of Art. These were directed with fellow student Malcolm McLaren, later to become the manager of the Sex Pistols.
Jamie Reid's cut-and-paste aesthetic developed from his interest in radical politics. His artistic style developed while at art college in Croydon, where he was influenced by the ideas of the avant-garde political group, the Situationist International. The political slant to his art was aroused by the May 1968 Paris student riots, which inspired fraternal protests organised by Reid at the Croydon College of Art. These were directed with fellow student Malcolm McLaren, later to become the manager of the Sex Pistols.
Object details
| Categories | |
| Object type | |
| Parts | This object consists of 17 parts. (Some alternative part names are also shown below)
|
| Title | Jamie Reid archive (named collection) |
| Materials and techniques | |
| Brief description | Folder containing photocopies used in artwork by Jamie Reid. Jamie Reid archive |
| Physical description | Folder containing variously cut photocopies used in artwork. |
| Marks and inscriptions |
|
| Summary | This collection of various photocopies would have been used in producing the artworks for the Sex Pistols seen in the Jamie Reid archive. Jamie Reid's cut-and-paste aesthetic developed from his interest in radical politics. His artistic style developed while at art college in Croydon, where he was influenced by the ideas of the avant-garde political group, the Situationist International. The political slant to his art was aroused by the May 1968 Paris student riots, which inspired fraternal protests organised by Reid at the Croydon College of Art. These were directed with fellow student Malcolm McLaren, later to become the manager of the Sex Pistols. |
| Collection | |
| Accession number | S.873&AtoP-1990 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
| Record created | February 17, 2010 |
| Record URL |
Download as: JSON
