Not on display

Parade, Diaghilev Ballets Russes, 1917

Photographic Plate
1917 (photographed)
Artist/Maker
Place of origin

TThis is one of 3 images of Léonide Massine in costume for the role of the Chinese Conjuror acquired as part of a collection of 27 glass negatives of the ballet Parade, taken by the photographerHarry Lachman. Parade was first staged by Diaghilev's Ballets Russes at the Théâtre du Châtelet, Paris, in 1917. It had a libretto by Jean Cocteau, music by Erik Satie, and costumes and sets designed by Pablo Picasso. The choreographer, Léonide Massine, danced the role of the Chinese Conjuror.

As Massine described his own costume as ‘a mandarin jacket and floppy trousers’. The voluminous bright red silk jacket, which was fastened by 3 side toggles, has yellow appliquéd decoration suggesting the rising sun and a yellow stand-up collar. The wide cuffs on the surviving tunic were trimmed with orange and gold. The costume is completed by cut-off black and yellow trousers which reach to the lower calf and a tri-coloured multi-peaked head dress. The original was apparently attached to skull-cap with a long, braided queue or as Beaumont noted ‘the plaited pigtail so necessary to a Chinaman’s exterior’. Beaumont also described that the conjuror wears ‘broad-soled shoes’ suggesting those of Picasso’s drawing rather than Lachmann’s photographs. Picasso designed precise make-up for Massine. Again Beaumont describes it ; ‘‘His face is sallow, the eye-brows curved in an expression of bland surprise, and the thick red lips are parted in a faint smile at once mysterious and secretive.’

Object details

Categories
Object type
TitleParade, Diaghilev Ballets Russes, 1917 (generic title)
Materials and techniques
Glass photographic negative
Brief description
Glass negative by Harry Lachman showing Léonide Massine as the Chinese Conjuror in Parade with flexed left foot raised on chair back. Serge Diaghilev's Ballets Russes, 1917
Physical description
Glass negative by Lachmann showing Léonide Massine as the Chinese Conjuror in the ballet, Parade, with flexed left foot raised on chair back.
Dimensions
  • Height: 23.7cm (approximate)
  • Width: 17.8cm (approximate)
Object history
This is one of a collection of 27 glass negatives of the ballet <i>Parade</i>, taken by the photographer Lachmann. <i>Parade</i> was first staged by Diaghilev's Ballets Russes at the Théâtre du Châtelet, Paris, in 1917. The collection of 11 Silver prints and 26 glass plate negatives by Lachmann (then called Lachman) was purchased by the V&A for £5,200 as Lot 233 in the Sotheby action of Photographic Images and Related Material in London 7 May 1993.
Summary
TThis is one of 3 images of Léonide Massine in costume for the role of the Chinese Conjuror acquired as part of a collection of 27 glass negatives of the ballet Parade, taken by the photographerHarry Lachman. Parade was first staged by Diaghilev's Ballets Russes at the Théâtre du Châtelet, Paris, in 1917. It had a libretto by Jean Cocteau, music by Erik Satie, and costumes and sets designed by Pablo Picasso. The choreographer, Léonide Massine, danced the role of the Chinese Conjuror.

As Massine described his own costume as ‘a mandarin jacket and floppy trousers’. The voluminous bright red silk jacket, which was fastened by 3 side toggles, has yellow appliquéd decoration suggesting the rising sun and a yellow stand-up collar. The wide cuffs on the surviving tunic were trimmed with orange and gold. The costume is completed by cut-off black and yellow trousers which reach to the lower calf and a tri-coloured multi-peaked head dress. The original was apparently attached to skull-cap with a long, braided queue or as Beaumont noted ‘the plaited pigtail so necessary to a Chinaman’s exterior’. Beaumont also described that the conjuror wears ‘broad-soled shoes’ suggesting those of Picasso’s drawing rather than Lachmann’s photographs. Picasso designed precise make-up for Massine. Again Beaumont describes it ; ‘‘His face is sallow, the eye-brows curved in an expression of bland surprise, and the thick red lips are parted in a faint smile at once mysterious and secretive.’
Collection
Accession number
S.5407-2009

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdFebruary 16, 2010
Record URL
Download as: JSON