Jamie Reid archive
Artwork
1977 (designed)
1977 (designed)
| Artist/Maker | |
| Place of origin |
This is a process print of artwork Jamie Reid created for the Sex Pistols, using Joly MacFie's process camera at Better Badges punk badges workshop. It would be used to create the lithographic plates for printing posters.
Jamie Reid's cut-and-paste aesthetic developed from his interest in radical politics. His artistic style developed while at art college in Croydon, where he was influenced by the ideas of the avant-garde political group, the Situationist International. The political slant to his art was aroused by the May 1968 Paris student riots, which inspired fraternal protests organised by Reid at the Croydon College of Art. These were directed with fellow student Malcolm McLaren, who would later become the manager of the Sex Pistols.
Jamie Reid's cut-and-paste aesthetic developed from his interest in radical politics. His artistic style developed while at art college in Croydon, where he was influenced by the ideas of the avant-garde political group, the Situationist International. The political slant to his art was aroused by the May 1968 Paris student riots, which inspired fraternal protests organised by Reid at the Croydon College of Art. These were directed with fellow student Malcolm McLaren, who would later become the manager of the Sex Pistols.
Object details
| Category | |
| Object type | |
| Title | Jamie Reid archive (named collection) |
| Materials and techniques | Process camera print |
| Brief description | Artwork for inner sleeve of Sex Pistols' album "The Great Rock 'n' Roll Swindle". |
| Physical description | Process print photographic paper of 'God Save The Queen' artwork. |
| Dimensions |
|
| Marks and inscriptions |
|
| Subject depicted | |
| Summary | This is a process print of artwork Jamie Reid created for the Sex Pistols, using Joly MacFie's process camera at Better Badges punk badges workshop. It would be used to create the lithographic plates for printing posters. Jamie Reid's cut-and-paste aesthetic developed from his interest in radical politics. His artistic style developed while at art college in Croydon, where he was influenced by the ideas of the avant-garde political group, the Situationist International. The political slant to his art was aroused by the May 1968 Paris student riots, which inspired fraternal protests organised by Reid at the Croydon College of Art. These were directed with fellow student Malcolm McLaren, who would later become the manager of the Sex Pistols. |
| Collection | |
| Accession number | S.2180-2009 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
| Record created | February 3, 2010 |
| Record URL |
Download as: JSON
