Not currently on display at the V&A

Untitled

Photograph
2006 (made)
Artist/Maker
Place of origin

Gregory Crewdson (American, born 1962) is a leading contemporary photographer known for elaborately choreographed, large-scale works that rival large paintings in size and detail, and cinema with their dramatic content. The creation of carefully staged, tableau-like photographs has been a significant vein in contemporary photography since the 1980s, and Crewdson is acknowledged as one of the most influential practitioners of the genre.

In his images, Crewdson reworks the American suburb into a stage-set for inexplicable, often disturbing, events that usually take place at twilight. Working on an epic scale, Crewdson has developed a process akin to the making of a feature film to create what he calls ‘frozen moments’, with the help of a large crew to shoot and then develop the images in post-production.

Every detail of these images is meticulously planned and staged, in particular the lighting. In some instances lighting and special effects such as artificial rain or dry ice are used to enhance a natural moment of twilight, whilst in others an effect of twilight is entirely artificially created. Crewdson’s images depict uncanny events that momentarily transport and transform actors from the homeliness and security of their suburban context, creating a sense of what the artist calls ‘psychological realism’. ‘Beneath the Roses’ is Crewdson’s most recent body of work, created from 2003-2007.


Object details

Categories
Object type
Titles
  • Untitled (assigned by artist)
  • Beneath the Roses (series title)
Materials and techniques
Digital pigment print
Brief description
Photograph, digital pigment print, 'Untitled', from the series 'Beneath the Roses', Gregory Crewdson, USA, 2006.
Physical description
Colour photograph of a snowy suburban backyard with a figure in a doorway in the distance.
Dimensions
  • Height: 144.8cm
  • Length: 223.5cm
  • Depth: 5.5
Frame measured by JC.
Copy number
4 of 6
Marks and inscriptions
Label on back of frame signed and with the following annotations: 'Gregory Crewdson / 'Beneath the Roses' / Untitled / Winter 2006 / Archival Pigment Print / Edition 4 of 6 / 57 x 88 inches (144.78 x 223.52 cm)'
Gallery label
Label for 'Making It Up: Photographic Fictions' (3 May 2013 - 12 January 2014): Gregory Crewdson (born 1962) Untitled (Temple Street) From the series Beneath the Roses 2006 Crewdson works on an epic scale with actors and a large crew. He turns an average suburb into a stage-set for his ‘frozen moments’, inexplicable, often disturbing events that usually take place at twilight. Crewdson draws on the mythology of small-town America to explore the tension between the everyday and the absurd. Digital pigment print Purchased with the support of the Friends of the V&A and the American Friends of the V&A through the generosity of Mr and Mrs Hugues Lepic Museum no. E.472-2009
Credit line
Purchased with the support of the American Friends of the V&A, through the generosity of Mr and Mrs Hugues Lepic
Summary
Gregory Crewdson (American, born 1962) is a leading contemporary photographer known for elaborately choreographed, large-scale works that rival large paintings in size and detail, and cinema with their dramatic content. The creation of carefully staged, tableau-like photographs has been a significant vein in contemporary photography since the 1980s, and Crewdson is acknowledged as one of the most influential practitioners of the genre.

In his images, Crewdson reworks the American suburb into a stage-set for inexplicable, often disturbing, events that usually take place at twilight. Working on an epic scale, Crewdson has developed a process akin to the making of a feature film to create what he calls ‘frozen moments’, with the help of a large crew to shoot and then develop the images in post-production.

Every detail of these images is meticulously planned and staged, in particular the lighting. In some instances lighting and special effects such as artificial rain or dry ice are used to enhance a natural moment of twilight, whilst in others an effect of twilight is entirely artificially created. Crewdson’s images depict uncanny events that momentarily transport and transform actors from the homeliness and security of their suburban context, creating a sense of what the artist calls ‘psychological realism’. ‘Beneath the Roses’ is Crewdson’s most recent body of work, created from 2003-2007.
Bibliographic reference
Published in V&A Publications/Thames and Hudson 'Making It Up: Photographic Fictions' 2018, by Marta Weiss
Collection
Accession number
E.472-2009

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Record createdJanuary 26, 2010
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