Untitled
Photograph
2006 (made)
2006 (made)
Artist/Maker | |
Place of origin |
Gregory Crewdson (American, born 1962) is a leading contemporary photographer known for elaborately choreographed, large-scale works that rival large paintings in size and detail, and cinema with their dramatic content. The creation of carefully staged, tableau-like photographs has been a significant vein in contemporary photography since the 1980s, and Crewdson is acknowledged as one of the most influential practitioners of the genre.
In his images, Crewdson reworks the American suburb into a stage-set for inexplicable, often disturbing, events that usually take place at twilight. Working on an epic scale, Crewdson has developed a process akin to the making of a feature film to create what he calls ‘frozen moments’, with the help of a large crew to shoot and then develop the images in post-production.
Every detail of these images is meticulously planned and staged, in particular the lighting. In some instances lighting and special effects such as artificial rain or dry ice are used to enhance a natural moment of twilight, whilst in others an effect of twilight is entirely artificially created. Crewdson’s images depict uncanny events that momentarily transport and transform actors from the homeliness and security of their suburban context, creating a sense of what the artist calls ‘psychological realism’. ‘Beneath the Roses’ is Crewdson’s most recent body of work, created from 2003-2007.
In his images, Crewdson reworks the American suburb into a stage-set for inexplicable, often disturbing, events that usually take place at twilight. Working on an epic scale, Crewdson has developed a process akin to the making of a feature film to create what he calls ‘frozen moments’, with the help of a large crew to shoot and then develop the images in post-production.
Every detail of these images is meticulously planned and staged, in particular the lighting. In some instances lighting and special effects such as artificial rain or dry ice are used to enhance a natural moment of twilight, whilst in others an effect of twilight is entirely artificially created. Crewdson’s images depict uncanny events that momentarily transport and transform actors from the homeliness and security of their suburban context, creating a sense of what the artist calls ‘psychological realism’. ‘Beneath the Roses’ is Crewdson’s most recent body of work, created from 2003-2007.
Object details
Categories | |
Object type | |
Titles |
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Materials and techniques | Digital pigment print |
Brief description | Photograph, digital pigment print, 'Untitled', from the series 'Beneath the Roses', Gregory Crewdson, USA, 2006. |
Physical description | Colour photograph of a snowy suburban backyard with a figure in a doorway in the distance. |
Dimensions |
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Copy number | 4 of 6 |
Marks and inscriptions | Label on back of frame signed and with the following annotations:
'Gregory Crewdson / 'Beneath the Roses' / Untitled / Winter 2006 / Archival Pigment Print / Edition 4 of 6 / 57 x 88 inches (144.78 x 223.52 cm)' |
Gallery label |
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Credit line | Purchased with the support of the American Friends of the V&A, through the generosity of Mr and Mrs Hugues Lepic |
Summary | Gregory Crewdson (American, born 1962) is a leading contemporary photographer known for elaborately choreographed, large-scale works that rival large paintings in size and detail, and cinema with their dramatic content. The creation of carefully staged, tableau-like photographs has been a significant vein in contemporary photography since the 1980s, and Crewdson is acknowledged as one of the most influential practitioners of the genre. In his images, Crewdson reworks the American suburb into a stage-set for inexplicable, often disturbing, events that usually take place at twilight. Working on an epic scale, Crewdson has developed a process akin to the making of a feature film to create what he calls ‘frozen moments’, with the help of a large crew to shoot and then develop the images in post-production. Every detail of these images is meticulously planned and staged, in particular the lighting. In some instances lighting and special effects such as artificial rain or dry ice are used to enhance a natural moment of twilight, whilst in others an effect of twilight is entirely artificially created. Crewdson’s images depict uncanny events that momentarily transport and transform actors from the homeliness and security of their suburban context, creating a sense of what the artist calls ‘psychological realism’. ‘Beneath the Roses’ is Crewdson’s most recent body of work, created from 2003-2007. |
Bibliographic reference | Published in V&A Publications/Thames and Hudson 'Making It Up: Photographic Fictions' 2018, by Marta Weiss |
Collection | |
Accession number | E.472-2009 |
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Record created | January 26, 2010 |
Record URL |
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