Not on display

We don’t have an image of this object online yet.

More about images

V&A Images may have a photograph that we can’t show online, but it may be possible to supply one to you. Email us at vaimages@vam.ac.uk for guidance about fees and timescales, quoting the accession number: B.175-2009

Amik the Beaver badge

Olympic Mascot
1976 (manufactured)
Artist/Maker
Place of origin

The first Olympic mascot 'Waldi' a Daschund dog appeared at the 1972 Munich Olympic Games. Mascots are used to communicate the Olympic spirit to the general public, especially youth and children. They are usually a character or animal native to the country where the games are being held and showcase the history and culture unique to the host city. In more recent years it has been common to have more than one mascot. This could be to ensure gender equity but has undoubtedly increased the merchandising potential of the Olympic mascot.

Amik the Beaver, mascot of the 1976 Montreal Olympic Games was chosen in a competition held by the Olympic committee. Amik was created by the Graphics and Design Directorate, a committee made of up prominent Canadian graphic artists of the time. The individual designers credited with Amik's birth were Yvon Laroche, Pierre-Yves Pelletier, Guy St-Arnaud and George Huel.

The winning name 'Amik' literally means beaver in the Algonquian which is the most popular language amongst the Aboriginal people in Canada. Like Waldi the Daschund before it Amik was designed as a symbol, minimalist in appearance it has a simple black and white shape with a red sash. Smaller Amik's were produced with sashes in black, grey and blue.

Amik was a very unpopular mascot. The public were confused about what he was supposed to represent. His cold reception marked a change in mascot design, they became more cartoon-like or humanesque and aimed directly at children.

Object details

Categories
Object type
TitleAmik the Beaver badge (manufacturer's title)
Materials and techniques
Fabric
Brief description
Fabric badge of Amik the Beaver, made in Montreal in 1976
Physical description
Badge of Amik. Stylised beaver form in black white and red fabric. The beaver's body is black and has a white border. The beaver wears a red sash across its middle with a stitched Olympic rings logo on in white.
Dimensions
  • Height: 6cm
  • Width: 9cm
Subject depicted
Association
Summary
The first Olympic mascot 'Waldi' a Daschund dog appeared at the 1972 Munich Olympic Games. Mascots are used to communicate the Olympic spirit to the general public, especially youth and children. They are usually a character or animal native to the country where the games are being held and showcase the history and culture unique to the host city. In more recent years it has been common to have more than one mascot. This could be to ensure gender equity but has undoubtedly increased the merchandising potential of the Olympic mascot.

Amik the Beaver, mascot of the 1976 Montreal Olympic Games was chosen in a competition held by the Olympic committee. Amik was created by the Graphics and Design Directorate, a committee made of up prominent Canadian graphic artists of the time. The individual designers credited with Amik's birth were Yvon Laroche, Pierre-Yves Pelletier, Guy St-Arnaud and George Huel.

The winning name 'Amik' literally means beaver in the Algonquian which is the most popular language amongst the Aboriginal people in Canada. Like Waldi the Daschund before it Amik was designed as a symbol, minimalist in appearance it has a simple black and white shape with a red sash. Smaller Amik's were produced with sashes in black, grey and blue.

Amik was a very unpopular mascot. The public were confused about what he was supposed to represent. His cold reception marked a change in mascot design, they became more cartoon-like or humanesque and aimed directly at children.
Collection
Accession number
B.175-2009

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJanuary 26, 2010
Record URL
Download as: JSON