York Minster Jug thumbnail 1
York Minster Jug thumbnail 2
On display
Image of Gallery in South Kensington

York Minster Jug

Jug
ca. 1846 (made)
Artist/Maker
Place of origin

Object Type
A stoneware jug is an extremely functional type. It is strong and non-porous and in its simplest form, made in at least three sizes, it would be in use daily for beer or cider. However, this example, which is elaborately and crisply modelled, would have been comparatively expensive and was probably intended largely for show. Given its moralising subject matter, it may have been used occasionally on Sundays.

Design & Designing
The design of this jug was registered by Charles Meigh in 1846. The jug itself was displayed on Meigh's stand at the Great Exhibition of 1851. Most usually known as the York Minster Jug and marked as such on the base, there are copies of the same design which are backstamped 'Minster Jug' and 'York Minster'. No reason for this variation has been identified, nor is there any known association with York Minster. The design does not bear any apparent relation to decoration at York Minster and its source has not been discovered. Although the names of some of Meigh's designers are known, none has been linked to the design of this jug.

Religious subjects were popular from the 1840s, and an architectural setting in relief was often thought appropriate. But Meigh's acknowledged superior quality in the crispness of the modelling and casting meant that three-dimensional Gothic tracery, especially in the form of the handle, and an architectural shape - as opposed to the more usual round or oval cross-section - was a challenge the factory was well able to meet. Indeed, few other factories could have attempted so ambitious a design.

Object details

Categories
Object type
TitleYork Minster Jug (manufacturer's title)
Materials and techniques
Smear-glazed stoneware, with moulded decoration
Brief description
York Minster jug
Dimensions
  • Height: 18.3cm
  • Width: 11.9cm
  • Depth: 11.8cm
Dimensions checked: Measured; 07/07/1999 by Terry
Marks and inscriptions
Applied and impressed: Patent Office diamond registration mark and the words 'York Minster' jug
Gallery label
(27/03/2003)
British Galleries:
The production of moulded stoneware jugs was an important part of the ceramics industry at this time. Production was fast and inexpensive but the cost of making the original model for the moulds was high. Manufacturers registered their designs to protect their investment in models. The source for the decoration here has not yet been identified.
(23/05/2008)
Jug
Made by Charles Meigh, Old Hall Works, Hanley, Staffordshire, England, about 1846
Salt-glazed stoneware

Circ.1141-1967
Credit line
Given by D. A. MacAlister
Object history
Made by Charles Meigh at Old Hall Works, Staffordshire; shown at the Great Exhibition of 1851
Summary
Object Type
A stoneware jug is an extremely functional type. It is strong and non-porous and in its simplest form, made in at least three sizes, it would be in use daily for beer or cider. However, this example, which is elaborately and crisply modelled, would have been comparatively expensive and was probably intended largely for show. Given its moralising subject matter, it may have been used occasionally on Sundays.

Design & Designing
The design of this jug was registered by Charles Meigh in 1846. The jug itself was displayed on Meigh's stand at the Great Exhibition of 1851. Most usually known as the York Minster Jug and marked as such on the base, there are copies of the same design which are backstamped 'Minster Jug' and 'York Minster'. No reason for this variation has been identified, nor is there any known association with York Minster. The design does not bear any apparent relation to decoration at York Minster and its source has not been discovered. Although the names of some of Meigh's designers are known, none has been linked to the design of this jug.

Religious subjects were popular from the 1840s, and an architectural setting in relief was often thought appropriate. But Meigh's acknowledged superior quality in the crispness of the modelling and casting meant that three-dimensional Gothic tracery, especially in the form of the handle, and an architectural shape - as opposed to the more usual round or oval cross-section - was a challenge the factory was well able to meet. Indeed, few other factories could have attempted so ambitious a design.
Collection
Accession number
CIRC.1141-1967

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Record createdJuly 1, 1999
Record URL
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