Toilet Glass
1790-1800 (made)
Artist/Maker | |
Place of origin |
This toilet glass was made at Vizagapatam, a port situated on the east coast of India which possessed a fine harbour and a textile-producing hinterland, both of which attracted European settlement and introduced a demand locally for western-style furniture. This piece was made at the late 18th century, as is evident by the restrained neo-classical decoration of garlands and husks. It was acquired in India by General George Roberts and bears the monogram, 'J.R.', no doubt the initials of a lady belonging to his family.
The timber required for the furniture was readily available from nearby forests, and being the only natural harbour between Calcutta and Madras, Vizagapatam became a popular port of call frequented both by European vessels travelling between Europe and the Far East, and smaller local crafts trading along the coast.
The earliest Vizagapatam manufactures can be dated on stylistic grounds to the beginning of the 18th century, although the first references to the industry dates to the 1750s, when Major John Corneille wrote of Vizagapatam that its ‘chintz is esteemed the best in India for the brightness of its colours’, and that ‘The place is likewise remarkable for its inlay work, and justly, for they do it to the greatest perfection.’
The timber required for the furniture was readily available from nearby forests, and being the only natural harbour between Calcutta and Madras, Vizagapatam became a popular port of call frequented both by European vessels travelling between Europe and the Far East, and smaller local crafts trading along the coast.
The earliest Vizagapatam manufactures can be dated on stylistic grounds to the beginning of the 18th century, although the first references to the industry dates to the 1750s, when Major John Corneille wrote of Vizagapatam that its ‘chintz is esteemed the best in India for the brightness of its colours’, and that ‘The place is likewise remarkable for its inlay work, and justly, for they do it to the greatest perfection.’
Object details
Categories | |
Object type | |
Materials and techniques | Sandalwood, veneered with ivory, engraved and highlighted with lac; silvered brass mounts |
Brief description | Furniture, sandalwood ivory, Vizagapatam, ca. 1790-1800 (The contents inside the cabinet are temporarily removed during conservation and kept in VA/SRT/CB9/1) |
Physical description | Of sandalwood, veneered with ivory, engraved and highlighted with lac, with silvered brass lock and hinges. The toilet glass consists of a multi-tiered base that supports an oval mirror. |
Dimensions |
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Marks and inscriptions | 'J.R.' (The mirror frame is surmounted by an oval medallion engraved on one side with the monogram 'J.R.'.) |
Object history | The piece is believed to have belonged to General George Roberts, who acquired it in India in the 1790s. It was inherited by his descendant Mrs L.G. Bent, who placed it on loan at the V&A in 1950. |
Summary | This toilet glass was made at Vizagapatam, a port situated on the east coast of India which possessed a fine harbour and a textile-producing hinterland, both of which attracted European settlement and introduced a demand locally for western-style furniture. This piece was made at the late 18th century, as is evident by the restrained neo-classical decoration of garlands and husks. It was acquired in India by General George Roberts and bears the monogram, 'J.R.', no doubt the initials of a lady belonging to his family. The timber required for the furniture was readily available from nearby forests, and being the only natural harbour between Calcutta and Madras, Vizagapatam became a popular port of call frequented both by European vessels travelling between Europe and the Far East, and smaller local crafts trading along the coast. The earliest Vizagapatam manufactures can be dated on stylistic grounds to the beginning of the 18th century, although the first references to the industry dates to the 1750s, when Major John Corneille wrote of Vizagapatam that its ‘chintz is esteemed the best in India for the brightness of its colours’, and that ‘The place is likewise remarkable for its inlay work, and justly, for they do it to the greatest perfection.’ |
Bibliographic references |
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Collection | |
Accession number | LOAN:BROMLEY D E.1 |
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Record created | July 26, 2005 |
Record URL |
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