Jug thumbnail 1

Jug

1874 (made)
Artist/Maker
Place of origin

Object Type
This is a supremely functional, single-handled mug in strong, salt-glazed stoneware. It was made in Lambeth, London, in the 1870s when plain stoneware, mocha and banded ware mugs were commonly used in public houses. Mugs as decorated as this one (without the obligatory capacity excise mark) were used either for the consumption of bottled beer at home or for lemonade. They were often accompanied by matching beakers and their elaboration may have been intended to entice a female market.

Ownership & Use
While the major part of their commercial production was of plain utilitarian wares, Doulton & Co. also made a smaller more specialised range of useful but artistic wares serving a wealthy, predominantly London clientele. For these clients, beer-drinking had attractive connotations with a mythical 'merrye England', without the adverse status as a purely working man's drink which it later acquired.

People
George Tinworth studied at the Lambeth School of Art under John Sparkes and at the Royal Academy. In 1866, he was among the first students employed by Henry Doulton to work for Doulton's Lambeth factory. Over a long career he made panels, (often religious in inspiration), figures and, as here, applied and incised decoration on a wide range of Doulton's art wares.

Object details

Categories
Object type
Materials and techniques
Salt-glazed stoneware, with incised and applied decoration and painted
Brief description
Jug of buff salt-glazed stoneware with incised and applied decoration, decorated by George Tinworth, Doulton & Co. Art Pottery, Lambeth, 1874.
Physical description
Jug of buff salt-glazed stoneware with incised and applied decoration and painted in blue, grey and brown. The body contracts upwards from the wide spreading base. With a loop handle. Decorated with rosettes in blue and brown applied in high relief among grey leafy scrollwork with white beads along the middle on a brown ground.
Dimensions
  • Height: 27.5cm
  • Including handle width: 22.5cm
  • Base diameter: 18cm
Dimensions checked: measured; 07/01/1999 by jc
Marks and inscriptions
  • 'DOULTON LAMBETH 1874' (Impressed within an oval medallion)
  • 'G T' (In monogram of the decorator, incised)
Gallery label
(27/03/2003)
British Galleries:
Doulton's use of the technique of salt-glazed stoneware for artistic pottery allowed more versatility to the potter. The ware's strength and crispness retained much of the initial modelling. George Tinworth, who had trained at Lambeth School of Art next to Doulton's Lambeth works, was the company's most celebrated modeller working in this medium.
(23/05/2008)
Tankard
George Tinworth, made by Doulton & Co., Lambeth Art Pottery, London, England,


3789-1901
Credit line
Transferred from the Museum of Practical Geology, Jermyn Street
Production
Doulton & Co. Art Pottery in Lambeth, London
Subjects depicted
Summary
Object Type
This is a supremely functional, single-handled mug in strong, salt-glazed stoneware. It was made in Lambeth, London, in the 1870s when plain stoneware, mocha and banded ware mugs were commonly used in public houses. Mugs as decorated as this one (without the obligatory capacity excise mark) were used either for the consumption of bottled beer at home or for lemonade. They were often accompanied by matching beakers and their elaboration may have been intended to entice a female market.

Ownership & Use
While the major part of their commercial production was of plain utilitarian wares, Doulton & Co. also made a smaller more specialised range of useful but artistic wares serving a wealthy, predominantly London clientele. For these clients, beer-drinking had attractive connotations with a mythical 'merrye England', without the adverse status as a purely working man's drink which it later acquired.

People
George Tinworth studied at the Lambeth School of Art under John Sparkes and at the Royal Academy. In 1866, he was among the first students employed by Henry Doulton to work for Doulton's Lambeth factory. Over a long career he made panels, (often religious in inspiration), figures and, as here, applied and incised decoration on a wide range of Doulton's art wares.
Collection
Accession number
3789-1901

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Record createdJune 28, 1999
Record URL
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