Not currently on display at the V&A

Copy of painting inside the caves of Ajanta (cave 16)

Oil Painting
1881-1883 (made)
Artist/Maker
Place of origin

This is a copy of a painting in cave 16 at Ajanta. These paintings date from the 1st century BC to about AD 480 and are the oldest surviving examples of painting in India. They depict stories from the lives of the Buddha (the Jatakas).

The scenes here are from the Mahisa Jataka. It tells the story of a man with special powers who sees that a buffalo (Mahisa) wants to bathe in the lake. The buffalo is being tormented by a monkey that has climbed up on his back. The man throws the monkey to the ground and teaches the buffalo a protective charm in the presence of the god Indra, seen here wearing an ornate crown.

The Ajanta cave complex was discovered in 1819 and since then attempts have been made to document the paintings inside them. In 1844 Major Robert Gill was commissioned to make copies. Unfortunately most of the paintings he completed were destroyed in a fire in 1866. To replace them, from 1872 to 1885 John Griffiths from the Bombay School of Art and seven Indian students spent every winter at the caves producing approximately 300 paintings. This is one of them.


Object details

Categories
Object type
Titles
  • Copy of painting inside the caves of Ajanta (cave 16) (series title)
  • Copy of painting from the caves of Ajanta (generic title)
Materials and techniques
Oil on canvas
Brief description
Copy of Fresco 'H' in Cave '16' in the caves of Ajanta by John Griffiths and students from the Bombay School of Art, oil on canvas, 1872-1885, India.
Physical description
This painting depicts two cows. There is a monkey riding on the back of one of them. In the foreground there is a lake with lilies floating on the water. In the top half of the painting there are three male figures. One of them is wearing a white robe and an ornate
crown.
Dimensions
  • Height: 1240mm
  • Width: 1115mm
  • Depth: 35mm
  • With frame height: 1275mm
  • With frame width: 1150mm
  • With frame depth: 40mm
Marks and inscriptions
H Right end wall of front aisle cave 16 4-1 high 3-8 wide (On back of canvas)
Credit line
Received from the India Office
Object history
Commissioned by the Government of India between 1872-1885 and deposited in the India Museum, London.

Historical significance: The main part of this painting depicts scenes from the Mahisa Jataka.

Narrative:
Standing behind a rock a genius observes that a buffalo (Mahisa), who wants to bathe in the lake is being tormented by a monkey that has climbed up on his back. After the genius has thrown the monkey to the ground, he teaches the buffalo a protective charm in the presence of god Indra. (ref: Dieter Schlingloff).

Received from the India Office. This acquisition information reflects that found in the Museum records (Asia Department registers and/or Central Inventory) as part of a 2023 provenance research project.
Historical context
The cave paintings of Ajanta are the oldest surviving examples of painting in India. They depict stories from the lives of the Buddha (the jatakas) and date from the 1st century BC to about AD 480. The cave complex was discovered in 1819 and since then attempts have been made to document the paintings inside them. In 1844 Major Robert Gill was commissioned to make copies. Unfortunately most of the paintings he completed were destroyed in a fire in 1866. To make up for this loss, from 1872, John Griffiths from the Bombay school of Art and seven Indian students spent every winter for the following 13 years at the caves producing approximately 300 paintings, of which this is an example.
Production
Painted by John Griffiths and students from the Bombay School of Art
Subject depicted
Place depicted
Summary
This is a copy of a painting in cave 16 at Ajanta. These paintings date from the 1st century BC to about AD 480 and are the oldest surviving examples of painting in India. They depict stories from the lives of the Buddha (the Jatakas).

The scenes here are from the Mahisa Jataka. It tells the story of a man with special powers who sees that a buffalo (Mahisa) wants to bathe in the lake. The buffalo is being tormented by a monkey that has climbed up on his back. The man throws the monkey to the ground and teaches the buffalo a protective charm in the presence of the god Indra, seen here wearing an ornate crown.

The Ajanta cave complex was discovered in 1819 and since then attempts have been made to document the paintings inside them. In 1844 Major Robert Gill was commissioned to make copies. Unfortunately most of the paintings he completed were destroyed in a fire in 1866. To replace them, from 1872 to 1885 John Griffiths from the Bombay School of Art and seven Indian students spent every winter at the caves producing approximately 300 paintings. This is one of them.
Bibliographic references
  • Griffiths, J, The paintings in the Buddhist cave temples of Ajanta, India, 1896
  • Burgess, J, Notes on the Bauddha Rock-Temples of Ajanta, Bombay, 1879
  • Schlingloff, D, Guide to the Ajanta paintings, Vol. 1, New Delhi, 1999.
Collection
Accession number
IS.81-1887

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Record createdJuly 13, 2005
Record URL
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