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Castel Gandolfo and Lake Albano

Drawing
ca.1754 (drawn)
Artist/Maker
Place of origin

Castle Gandolfo, from the river, the high bank beneath the castle is richly studded with trees; Drawn with black chalk, on grey paper, heightened with white, very carefully executed; almost entirely linear.

Object details

Category
Object type
TitleCastel Gandolfo and Lake Albano
Materials and techniques
drawn with black chalk, on grey paper, heightened with white
Brief description
Wilson, Richard (RA); Castle Gandolfo, from the river, the high bank beneath the castle is richly studded with trees; Drawn with black chalk, on grey paper, heightened with white; English School; ca.1754.
Physical description
Castle Gandolfo, from the river, the high bank beneath the castle is richly studded with trees; Drawn with black chalk, on grey paper, heightened with white, very carefully executed; almost entirely linear.
Dimensions
  • Height: 10.4in
  • Width: 16.4in
  • Height: 27.2cm
  • Width: 41.9cm
Original measurements converted from fractional inches into decimal inches (rounded to one decimal place). Dimensions taken from: DYCE COLLECTION. A Catalogue of the Paintings, Miniatures, Drawings, Engravings, Rings and Miscellaneous Objects Bequeathed by The Reverend Alexander Dyce. London : South Kensington Museum, 1874.
Style
Credit line
Bequeathed by Rev. Alexander Dyce
Subjects depicted
Place depicted
Bibliographic references
  • DYCE COLLECTION. A Catalogue of the Paintings, Miniatures, Drawings, Engravings, Rings and Miscellaneous Objects Bequeathed by The Reverend Alexander Dyce. London : South Kensington Museum, 1874.
  • Brinsley Ford, The Drawings of Richard Wilson (London: Faber and Faber, 1951), p. 61, no. 67
  • David Solkin, Richard Wilson: The Landscape of Reaction (London: Tate Gallery, 1982): 'This remarkably sensitive and delicate study from nature shows Castel Gandolfo - then, as now, the Pope's summer retreat - and the western shore of Lake Albano. It is difficult to determine precisely how the present drawing relates to the Dartmouth view of the same site [. . . ], which is of approximately the same size. I suspect that Wilson initially meant this sheet to serve as part of the Dartmouth set, before realising that his viewpoint was too close to permit the achievement of a satisfactory classical composition. Neglecting to enhance his linear sketch with much in the way of chiaroscuro modelling, he may simply have abandoned it in mid-stream, choosing instead to start over again further away from the town.' (p. 167, no. 41.)
Collection
Accession number
DYCE.646

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Record createdOctober 30, 2009
Record URL
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