Print Collection
Scrap
ca. 1890 (printed)
ca. 1890 (printed)
Artist/Maker | |
Place of origin |
Scraps first appeared in the early 19th century as black and white engravings, and were later coloured by hand. By the 1820s they had become more elaborate and sometimes embossed, and within a decade both the printing and embossing processes were automated. They were colour printed by chromolithography, and coated with a gelatine and gum layer to give them a gloss finish. After being embossed they were die-cut and put through a stamping press to cut away the unwanted areas of paper, leaving the individual images connected by small strips, often bearing the name or initials of the maker.
Scraps became extremely popular in Victorian England to be cut out by adults or children and stuck into albums, on to screens, or used for decorating greetings cards. This scrap is one of a series depicting Shakespearean characters played by popular actors. The Kendals played these roles together in the production of As You Like It which opened at Haymarket Theatre on 9 October 1871.
Scraps became extremely popular in Victorian England to be cut out by adults or children and stuck into albums, on to screens, or used for decorating greetings cards. This scrap is one of a series depicting Shakespearean characters played by popular actors. The Kendals played these roles together in the production of As You Like It which opened at Haymarket Theatre on 9 October 1871.
Object details
Category | |
Object type | |
Title | Print Collection (named collection) |
Materials and techniques | Printed paper |
Brief description | Shakespearean characters paper scrap depicting Madge Kendal (1849-1935) as Rosalind and her husband William Henry Kendal (1843-1917) as Orlando, in As You Like It, Act IV scene 1. Chromolithograph printed by Siegmund Hildesheimer & Co., ca.1890. Aubrey Ensor Bequest. |
Physical description | Multicoloured paper scrap, complete for cutting out, with printed lines of text, depicting Madge Kendal (1849-1935) as Rosalind wearing a sea-green tunic and turquoise tights, standing with her husband William Henry Kendal (1843-1917) as Orlando, wearing a rust-coloured tunic and gold jerkin. From As You Like It, Act IV scene 1. Chromolithograph printed by Siegmund Hildesheimer & Co., ca.1890, with the monogram of Siegmund Hildesheimer & Co. Printed with the title: CHARACTERS FROM SHAKESPEARE SHEET 4 |
Dimensions |
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Credit line | Given by the British Theatre Museum Association |
Subjects depicted | |
Associations | |
Literary reference | <i>As You Like It</i> |
Summary | Scraps first appeared in the early 19th century as black and white engravings, and were later coloured by hand. By the 1820s they had become more elaborate and sometimes embossed, and within a decade both the printing and embossing processes were automated. They were colour printed by chromolithography, and coated with a gelatine and gum layer to give them a gloss finish. After being embossed they were die-cut and put through a stamping press to cut away the unwanted areas of paper, leaving the individual images connected by small strips, often bearing the name or initials of the maker. Scraps became extremely popular in Victorian England to be cut out by adults or children and stuck into albums, on to screens, or used for decorating greetings cards. This scrap is one of a series depicting Shakespearean characters played by popular actors. The Kendals played these roles together in the production of As You Like It which opened at Haymarket Theatre on 9 October 1871. |
Associated objects |
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Other number | 1973/A/119 - BTMA accession number |
Collection | |
Accession number | S.61-2008 |
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Record created | July 30, 2009 |
Record URL |
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