Sonia Delaunay; ses Peintures, ses Objets, ses Tissus simultanés, ses Modes
Print
ca. 1925 (made)
ca. 1925 (made)
| Artist/Maker | |
| Place of origin |
This portfolio is a facsimile of a collection of the watercolour designs for textiles and costume by Delaunay made between ca. 1915 to the mid-1920s. It includes poems by some of the poets of the avant garde and texts by Albert Gleizes, Robert Delaunay and Apollinaire, which praise Delaunay's work or relates to it in some way, reflecting the close relationship at that time between visual artists and writers. The facsimile represents the way in which, even at the time, artists such as Delaunay were recognised in Paris for their value to a wider public.
Object details
| Categories | |
| Object type | |
| Title | Sonia Delaunay; ses Peintures, ses Objets, ses Tissus simultanés, ses Modes (assigned by artist) |
| Materials and techniques | Collotype (probably) and letterpress |
| Brief description | Part of page from portfolio facsimile of watercolour drawings of fashion plates entitled 'Sonia Delaunay; ses Peintures, ses Objets, ses Tissus simultanés, ses Modes', preface André Lhote, Librairie des Arts Decoratifs, Paris, ca. 1925. |
| Physical description | Portion of a page from facsimile portfolio of watercolour drawings of fashion plates entitled 'Sonia Delaunay; ses Peintures, ses Objets, ses Tissus simultanés, ses Modes'. Woman in orange and grey dress with green circle and wave patterns. Left portion. |
| Dimensions |
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| Style | |
| Production type | Limited edition |
| Object history | Transferred from Circulation Department. Renumbered from existing 'C' numbers. The whole portfolio appears to have been accessioned into PDP in two groups, E.7 to 12-1980 and a later group, E.381 to 400-2009. |
| Subjects depicted | |
| Summary | This portfolio is a facsimile of a collection of the watercolour designs for textiles and costume by Delaunay made between ca. 1915 to the mid-1920s. It includes poems by some of the poets of the avant garde and texts by Albert Gleizes, Robert Delaunay and Apollinaire, which praise Delaunay's work or relates to it in some way, reflecting the close relationship at that time between visual artists and writers. The facsimile represents the way in which, even at the time, artists such as Delaunay were recognised in Paris for their value to a wider public. |
| Other number | C.23272 - Previous number |
| Collection | |
| Accession number | E.391:1-2009 |
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| Record created | July 14, 2009 |
| Record URL |
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