Saint John the Evangelist and Christ in distress thumbnail 1
Saint John the Evangelist and Christ in distress thumbnail 2
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Image of Gallery in South Kensington
On display at V&A South Kensington
Medieval & Renaissance, Room 10

Saint John the Evangelist and Christ in distress

Rosary Bead
ca. 1500 (made)
Artist/Maker
Place Of Origin

Sets of rosary beads were carried about the person, and often had decorated pendants. This pendant is carved in minute detail. It opens up to show St John the Evangelist and Christ as the ‘Man of Sorrows’, displaying the five wounds of his Crucifixion and surrounded by the instruments of his death.


object details
Categories
Object Type
Materials and Techniques
Craved boxwood
Brief Description
Rosary bead, boxwood, with St John the Evangelist and Christ in distress, North Netherlandish or Lower Rhine, ca. 1500
Physical Description
Boxwood rosary bead. The exterior of the upper half is carved with elaborate Late gothic openwork tracery, the exterior of the lower half is deocrated with a fleshy foliate design.

The interior of the upper half is carved with with the seated figure of St John the Evangelist and an eagle against a stippled background, the interior of the lower half is carved with the naked Christ in distress.
Dimensions
  • Diameter: 4cm
  • Weight: 0.02kg
Gallery Label
Rosary Pendant About 1500 Sets of rosary beads were carried about the person, and often had decorate pendants. This pendant is carved in minute detail. It opens up to show St John the Evangelist and Christ as the 'Man of Sorrows', displaying the five wounds of his Crucifixion and surrounded by the instruments of his death. Northern Netherlands Boxwood Museum no. 265-1874
Object history
Bought from John Webb, London and Cannes, in 1874.



Historical significance: This is a very good example of a micro-carved pendant of a Rosary which was probably carved in the North Netherlands or Lower Rhine and is a perfect example personal devotion in the late fifteenth and early sixteenth centuries.
Historical context
The use of the rosary grew enormously during the second half of the 15th century, stimulated by the preaching of the Dominicans and made attractive by the ease with which the layperson could apply him or herself to prayers through it mediation.Most of the rosary beads were normally plain and the number of beads was dictated by the three cycles of prayer on the fifteen Mysteries of the Life of Christ. By the 1480's the opportunity was taken in the Netherlands to make larger boxwood beads more elaborate by adding scenes or single images, setting a challenge to the sculptor to produce carvings in some cases of almost microscopic detail inside the globes.
Subjects depicted
Summary
Sets of rosary beads were carried about the person, and often had decorated pendants. This pendant is carved in minute detail. It opens up to show St John the Evangelist and Christ as the ‘Man of Sorrows’, displaying the five wounds of his Crucifixion and surrounded by the instruments of his death.
Bibliographic References
  • Paul Williamson, Netherlandish Sculpture 1450-1550. London, 2002, pp. 140-141, cat. no. 45
  • List of Objects in the Art Division, South Kensington, Acquired During the Year 1874, Arranged According to the Dates of Acquisition. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., p. 20
Collection
Accession Number
265-1874

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record createdJune 27, 2005
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