Blue Shadow - pier 17
Print
2002 (published)
2002 (published)
| Artist/Maker | |
| Place of origin |
This edition of prints 2002 is an interesting example of the re-interpretation of Japanese art by nineteen contemporary Japanese and UK-based artists. It was the result of a workshop held at Wimbledon School of Art, in which the artists explored the integration of traditional woodblock printing with digital technology. Eyecon, the publisher, is a digital print research and publishing unit founded in 1999 as a collaborative venture dedicated to the production of innovative work and projects by artists using print and digital media.
Object details
| Category | |
| Object type | |
| Title | Blue Shadow - pier 17 (assigned by artist) |
| Materials and techniques | Woodblock printing and digital media |
| Brief description | 'Blue Shadow - Pier 17', print by Hiroshi Maruyama, 2002 |
| Physical description | An abstract print in shades of blue, green and lilac. One of a series of 19 digital prints incorporating traditional woodblock printing and digital design. |
| Dimensions |
|
| Copy number | 11/30 |
| Credit line | Given by Eyecon |
| Production | A workshop for Japanese and UK based artists was held at Wimbledon School of Art. This series of prints was the result of this workshop. |
| Summary | This edition of prints 2002 is an interesting example of the re-interpretation of Japanese art by nineteen contemporary Japanese and UK-based artists. It was the result of a workshop held at Wimbledon School of Art, in which the artists explored the integration of traditional woodblock printing with digital technology. Eyecon, the publisher, is a digital print research and publishing unit founded in 1999 as a collaborative venture dedicated to the production of innovative work and projects by artists using print and digital media. |
| Collection | |
| Accession number | E.245:8-2003 |
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| Record created | June 10, 2005 |
| Record URL |
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