Vase thumbnail 1
Vase thumbnail 2
+2
images
On display
Image of Gallery in South Kensington

Vase

1025-1050 (made)
Artist/Maker
Place of origin

This bottle is an example of Cizhou ware, a type of ceramic made in the northern part of China during the Song dynasty (960-1279). The term Cizhou encapsulates a range of wares made in several regions of northern China, often consisting of a course stoneware body covered with a white slip (a thin layer of diluted firing clay), and then decorated with a contrasting colour. Vessels of this shape have traditionally been referred to as meiping, literally 'prunus vases'. However, some of these 'prunus vases' are inscribed with the Chinese words 'fine wine'.

Cizhou wares were utilitarian at their time of production and were made in relatively large numbers. This bottle is made in a shape known as meiping (prunus vase), but it was most likely used to store alcohol. Although they were not given high praise at the time of production, the bold designs and simple shapes of Cizhou wares were later treasured by Japanese and Western connoisseurs alike. The studio pottery movement in Britain found affinity with ceramics like this vase, which Bernard Leach praised in his seminal publication, A Potter’s Book, in 1940.

Object details

Categories
Object type
Materials and techniques
Stoneware with cream-coloured slip, incised and punched
Brief description
Vase, incised and punched stoneware on cream-coloured slip, Cizhou ware, China, Northern Song dynasty, 1025-1050
Physical description
This slender jar is an example of Cizhou ware, a term embracing a range of high-fired stoneware made in several regions of northern China. The distinguishing feature is the white or cream-coloured slip (a thin layer of diluted firing clay), covering the body, on which a variety of decoration is made. Cizhou potters were highly creative. The decorative techniques were employed. Cizhou potters were highly creative, using carving, incising, combing, inlaying, stamping, underglaze painting and overglaze enamelling to decorate their wares. Very often two or more these techniques are combined to decorate single object. Here, the design of camellia flowers on a scrolling leafy branch was incised, but variety was achieved by setting the flowers against a ring-punched background.
Dimensions
  • Height: 38.0cm
  • Diameter: 16.0cm
Styles
Gallery label
(2007)
Vase (meiping) with peony design
Northern Song dynasty
1025-1050
Cizhou kilns, North China

Stoneware with incised and punched decoration
Museum no.C.31-1935
From the Eumorfopoulos collection, purchased with the assistance of The Art Fund, the Vallentin Bequest, Sir Percival David and the Universities China Committee
(September 2009)
Jar with incised designs
China, Cizhou kilns
Northern Song dynasty,
1025–50

Cizhou stonewares were produced across northern China over a long period. Covered with white or cream slip, they had decoration of many different types. Here the design was incised into the slip. It includes a scroll with camellia flowers against a ‘ring-matted’ background. The shape is called a meiping, or ‘prunus vase’, in Chinese. Yet its sturdy body and thick base suggest it was a container for alcohol.

Glazed stoneware with incised slip decoration

Museum no. C.31-1935
Purchased with the assistance of The Art Fund, the Vallentin Bequest,
Sir Percival David and the Universities China Committee
Credit line
Purchased with Art Fund support, the Vallentin Bequest, Sir Percival David and the Universities China Committee
Subjects depicted
Summary
This bottle is an example of Cizhou ware, a type of ceramic made in the northern part of China during the Song dynasty (960-1279). The term Cizhou encapsulates a range of wares made in several regions of northern China, often consisting of a course stoneware body covered with a white slip (a thin layer of diluted firing clay), and then decorated with a contrasting colour. Vessels of this shape have traditionally been referred to as meiping, literally 'prunus vases'. However, some of these 'prunus vases' are inscribed with the Chinese words 'fine wine'.

Cizhou wares were utilitarian at their time of production and were made in relatively large numbers. This bottle is made in a shape known as meiping (prunus vase), but it was most likely used to store alcohol. Although they were not given high praise at the time of production, the bold designs and simple shapes of Cizhou wares were later treasured by Japanese and Western connoisseurs alike. The studio pottery movement in Britain found affinity with ceramics like this vase, which Bernard Leach praised in his seminal publication, A Potter’s Book, in 1940.
Bibliographic references
  • Kerr, Rose. Song Dynasty Ceramics. London: V&A Publications, 2004. p. 62, no. 59
  • Liefkes, Reino and Hilary Young (eds.) Masterpieces of World Ceramics in the Victoria and Albert Museum. London: V&A Publishing, 2008 pp. 34-35
  • Exhibition of early Chinese pottery and porcelain, London : Printed for the Burlington Fine Arts Club, 1910 D56
  • Catalogue of the International Exhibition of Chinese Art, 1935-6, London : Royal Academy of Arts, 1935 1267
Collection
Accession number
C.31-1935

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJune 1, 2005
Record URL
Download as: JSONIIIF Manifest