Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level C , Case TST

Off the Wall

Print
2004 (made)
Artist/Maker
Place of origin

Graeme Nimmo studied portraiture at Glasgow School of Art. This print, entitled Off the Wall, combines traditional etching technique with street art-influenced spray paint stencilling, which creates the dripping paint effect.

The letters GM echo graffiti writing, where artists mark their territory with their names. The model emerges from the wall with an almost ghost-like quality. The figure is detailed with simple light and shadow. Although this print is unmistakably modern, it refers back to a more traditional art form, portraiture. Nimmo’s work updates an old genre with contemporary visual language. The simple beauty of a human figure is celebrated with ‘rough-around-the-edges’ visuals.


Object details

Categories
Object type
TitleOff the Wall (assigned by artist)
Materials and techniques
Etching on paper backed on plasterboard
Brief description
'Off the Wall' etching by Graeme Nimmo; British, 2004.
Physical description
The image is made up of greys black and white. In the bottom right a nude bearded man crouches with hands lossley clasped. The background to the image makes a shadowy effect with dribbling paint and some graffiti style lettering.
Dimensions
  • Height: 70cm
  • Width: 59cm
Marks and inscriptions
GM (Top left, part of background to image)
Credit line
Purchased through the Julie and Robert Breckman Print Fund
Object history
Displayed in the Link Corridor in Aug-Oct 2005 in the 'Street Art' display.
Subject depicted
Summary
Graeme Nimmo studied portraiture at Glasgow School of Art. This print, entitled Off the Wall, combines traditional etching technique with street art-influenced spray paint stencilling, which creates the dripping paint effect.

The letters GM echo graffiti writing, where artists mark their territory with their names. The model emerges from the wall with an almost ghost-like quality. The figure is detailed with simple light and shadow. Although this print is unmistakably modern, it refers back to a more traditional art form, portraiture. Nimmo’s work updates an old genre with contemporary visual language. The simple beauty of a human figure is celebrated with ‘rough-around-the-edges’ visuals.
Collection
Accession number
E.277-2005

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Record createdApril 28, 2005
Record URL
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