Theatre Costume thumbnail 1
Theatre Costume thumbnail 2
Not on display

Theatre Costume

1920s (made)

Dance boots worn by Alicia Markova as Polovtsian Girl in Mikhail Fokine's ballet Prince Igor when dancing with Serge Diaghilev's Ballets Russes, mid-1920s. Footwear influences how a dancer moves and these boots were worn for lively character dances.
Fokine's Polovtsian Dances from the opera Prince Igor was the most frequently performed ballet in the repertoire of Serge Diaghilev's Ballets Russes being seen at a quarter of all performances and was the only ballet seen every year. Cyril Beaumont noted in his Diaghilev Ballet in London (1940) its 'stirring ferocity. There is no ballet...which so recaptures the thrill of warlike exercises.' Alicia Markova danced with the Ballets Russes 1925-1929 so these boots must have been acquired for her at this time. Dame Alicia gave a selection of her costumes to the V&A

Object details

Categories
Object type
Parts
This object consists of 2 parts.
(Some alternative part names are also shown below)
  • Theatre Costume
  • Shoe
  • Dance Shoe
  • Theatre Costume
  • Shoe
  • Dance Shoe
Materials and techniques
leather
Brief description
Dance boots worn by Alicia Markova as Polovtsian Girl in Mikhail Fokine's ballet Prince Igor when dancing with Serge Diaghilev's Ballets Russes, mid-1920s
Physical description
Pair of brown leather boots decorated with colourful swirling patterns
Object history
Gift of Dame Alicia Markova who wore the boots in performance
Summary
Dance boots worn by Alicia Markova as Polovtsian Girl in Mikhail Fokine's ballet Prince Igor when dancing with Serge Diaghilev's Ballets Russes, mid-1920s. Footwear influences how a dancer moves and these boots were worn for lively character dances.
Fokine's Polovtsian Dances from the opera Prince Igor was the most frequently performed ballet in the repertoire of Serge Diaghilev's Ballets Russes being seen at a quarter of all performances and was the only ballet seen every year. Cyril Beaumont noted in his Diaghilev Ballet in London (1940) its 'stirring ferocity. There is no ballet...which so recaptures the thrill of warlike exercises.' Alicia Markova danced with the Ballets Russes 1925-1929 so these boots must have been acquired for her at this time. Dame Alicia gave a selection of her costumes to the V&A
Collection
Accession number
S.655&A-1983

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Record createdJuly 1, 2009
Record URL
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