This object consists of 10 parts, some of which may be located elsewhere.

Tabernacle Section

ca. 1500 (made)
Artist/Maker
Place of origin

This piece comes from a tabernacle, where the communion vessels were stored in a church. The clay was shaped in a mould and fired, then painted with different coloured glazes and fired again. The rough underside of the section is hollow to prevent it cracking during the firing. A wire loop was used to remove excess clay, leaving the smooth, broad grooves that you can feel inside. The motifs used in the decoration all have symbolic meanings. From left to right there are cucumbers (resurrection), a grape (resurrection), lemons (salvation), pine cones (virtue and immortality) and quinces (immortal virtue).

Object details

Categories
Object type
Parts
This object consists of 10 parts.

  • Tabernacle Part Of:swag and Cornucopia
  • Tabernacle Part Of:swag
  • Tabernacle Part Of:cornucopia
  • Tabernacle Part Of:pilaster
  • Tabernacle Part Of:pilaster
  • Tabernacle Part Of:band With Inscription
  • Tabernacle Part Of:console With Cornucopiae
  • Tabernacle Part Of:central Niche With Angels
  • Tabernacle Part Of:lunette With Christ Child
  • Tabernacle Part Of:frieze of Cherub Heads
Materials and techniques
Relief in polychrome, enamelled terracotta
Brief description
Section of a tabernacle, probably from the workshop of the della Robbia family, Italy (Florence), ca. 1500
Physical description
The tabernacle proper is flanked by white and blue pilasters, with, above, a frieze of cherub heads between heavy mouldings. At each side of the central aperture is a small angel drawing a curtain, and above is a scalloped lunette with the Holy Ghost. At either side, from the ends of the cornice, are suspended heavy swags of flowers and fruit. Below the tabernacle, on each side of a circular opening, are the words: HIC.EST./PANISVIVVS/Q.DECELO/DESCENDIT., and at the base is a console formed by cornucopias filled with fruit, with, between them, a wreath surrounding an empty space for a shield.. In the lunette of the tabernacle is the Child Christ standing on a chalice with his right hand raised in blessing between two cherub heads. Enamelled in white, yellow, green, blue, porphyry, brown and black. The surfaces of the two lunettes and of the frieze with putto heads are blue, and in the haloes and the outlining of the central area yellow is extensively employed.
Dimensions
  • Height: 130.8cm
  • Width: 63.8cm
Marks and inscriptions
HIC.EST./PANISVIVVS/Q.DECELO/DESCENDIT. (Below the tabernacle, on each side of a circular opening, are these words)
Object history
Purchased in Florence
Subjects depicted
Summary
This piece comes from a tabernacle, where the communion vessels were stored in a church. The clay was shaped in a mould and fired, then painted with different coloured glazes and fired again. The rough underside of the section is hollow to prevent it cracking during the firing. A wire loop was used to remove excess clay, leaving the smooth, broad grooves that you can feel inside. The motifs used in the decoration all have symbolic meanings. From left to right there are cucumbers (resurrection), a grape (resurrection), lemons (salvation), pine cones (virtue and immortality) and quinces (immortal virtue).
Bibliographic references
  • Inventory of Art Objects Acquired in the Year 1860. In: Inventory of the Objects in the Art Division of the Museum at South Kensington, Arranged According to the Dates of their Acquisition. Vol I. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 12
  • Maclagan, Eric and Longhurst, Margaret H. Catalogue of Italian Sculpture. Text. London: Victoria and Albert Museum, 1932, p. 86
  • Pope-Hennessy, John. Catalogue of Italian Sculpture in the Victoria and Albert Museum. Volume I: Text. Eighth to Fifteenth Century. London: Her Majesty's Stationery Office, 1964, pp. 240,41
Collection
Accession number
6736-1860

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Record createdApril 18, 2005
Record URL
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