Achilles mourning for Patroclus thumbnail 1

Achilles mourning for Patroclus

Cameo
1775-1810 (made)
Artist/Maker
Place of origin

The art of engraving gemstones has been admired since the early days of the Roman empire. It was revived in Europe during the Renaissance, and again in the 18th and 19th centuries. Cameos and intaglios were prized and collected, sometimes as symbols of power and mounted in jewelled settings, sometimes as small objects for private devotion or enjoyment. This cameo shows how engravers used subjects that had been popular for centuries. It illustrates a scene from the Trojan War and is one of a number of cameos of different periods that show the same subject. The image was taken from a Renaissance
cameo, which in turn was a copy of a Roman relief.

Object details

Category
Object type
TitleAchilles mourning for Patroclus (generic title)
Materials and techniques
Onyx (layered agate)
Brief description
Achilles mourning for Patroclus, possibly by Edward Burch, ca. 1775-1810
Credit line
Given by Dr W. L. Hildburgh, FSA
Object history
Given by Dr W.L Hildburgh, F.S.A.
Subjects depicted
Summary
The art of engraving gemstones has been admired since the early days of the Roman empire. It was revived in Europe during the Renaissance, and again in the 18th and 19th centuries. Cameos and intaglios were prized and collected, sometimes as symbols of power and mounted in jewelled settings, sometimes as small objects for private devotion or enjoyment. This cameo shows how engravers used subjects that had been popular for centuries. It illustrates a scene from the Trojan War and is one of a number of cameos of different periods that show the same subject. The image was taken from a Renaissance
cameo, which in turn was a copy of a Roman relief.
Bibliographic reference
Trusted, Marjorie (ed.) The Making of Sculpture. The Materials and Techniques of European Sculpture. London, 2007, p.148, pl. 284.
Collection
Accession number
A.33-1937

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Record createdApril 14, 2005
Record URL
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