Ferdinand, Duke of Brunswick and Luneberg thumbnail 1
Ferdinand, Duke of Brunswick and Luneberg thumbnail 2
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Image of Gallery in South Kensington
On display at V&A South Kensington
Sculpture, Room 111, The Gilbert Bayes Gallery

Ferdinand, Duke of Brunswick and Luneberg

Cameo
ca. 1755 (made)
Artist/Maker
Place of origin

The art of engraving gemstones has been admired since the early days of the Roman empire. It was revived in Europe during the Renaissance, and again in the 18th and 19th centuries. Cameos and intaglios were prized and collected, sometimes as symbols of power and mounted in jewelled settings, sometimes as small objects for private devotion or enjoyment. Natter trained as a goldsmith, medallist and engraver of seals and gems. He learned his craft by copying ancient gems in Florence and later published a treatise on the methods used in antiquity. German by birth, he travelled around the courts of Europe and made portraits of many important figures.


Object details

Categories
Object type
TitleFerdinand, Duke of Brunswick and Luneberg (generic title)
Materials and techniques
Layered agate, in gilt copper setting
Brief description
Cameo, layered agate, Ferdinand, Duke of Brunswick, by Johann Lorenz Natter, England, ca. 1755
Physical description
Portrait bust facing to the left.
Dimensions
  • Length: 5cm
  • Width: 4cm
Object history
Bought for £15 from H. Landsberg & Son.
Subjects depicted
Summary
The art of engraving gemstones has been admired since the early days of the Roman empire. It was revived in Europe during the Renaissance, and again in the 18th and 19th centuries. Cameos and intaglios were prized and collected, sometimes as symbols of power and mounted in jewelled settings, sometimes as small objects for private devotion or enjoyment. Natter trained as a goldsmith, medallist and engraver of seals and gems. He learned his craft by copying ancient gems in Florence and later published a treatise on the methods used in antiquity. German by birth, he travelled around the courts of Europe and made portraits of many important figures.
Bibliographic reference
Trusted, Marjorie, ed. The Making of Sculpture. The Materials and Techniques of European Sculpture. London: 2007, p. 148, pl. 282
Collection
Accession number
A.2-1954

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Record createdApril 14, 2005
Record URL
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