Print Collection
Scrap
ca.1890 (printed)
ca.1890 (printed)
Artist/Maker | |
Place of origin |
Scraps first appeared in the early 19th century as black and white engravings, and were later coloured by hand. By the 1820s they had become more elaborate and sometimes embossed, and within a decade both the printing and embossing processes were automated. They were colour printed by chromolithography, and coated with a gelatine and gum layer to give them a gloss finish. After being embossed they were die-cut and put through a stamping press to cut away the unwanted areas of paper, leaving the individual images connected by small strips, often bearing the name or initials of the maker.
Scraps became extremely popular in Victorian England to be cut out by adults or children and stuck into albums, on to screens, or used for decorating greetings cards. This is one of a series of scraps featuring portraits of contemporary theatrical 'types'. This is the Lessee who owns a lease on a theatre and to whose account the profits or losses of a theatre are due.
Scraps became extremely popular in Victorian England to be cut out by adults or children and stuck into albums, on to screens, or used for decorating greetings cards. This is one of a series of scraps featuring portraits of contemporary theatrical 'types'. This is the Lessee who owns a lease on a theatre and to whose account the profits or losses of a theatre are due.
Object details
Category | |
Object type | |
Title | Print Collection (named collection) |
Materials and techniques | Printed paper |
Brief description | Printed paper scrap depicting a young man, entitled Lessee. Colour lithograph printed by Siegmund Hildesheimer & Co., ca.1890. |
Physical description | Full colour paper scrap depicting the head of a middle-aged man with a moustache, smoking a cigarette, and wearing a top hat and jacket with beaver-trimmed lapels and a white bow tie. Titled 'Lessee'. |
Dimensions |
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Credit line | Given by the British Theatre Museum Association |
Subjects depicted | |
Summary | Scraps first appeared in the early 19th century as black and white engravings, and were later coloured by hand. By the 1820s they had become more elaborate and sometimes embossed, and within a decade both the printing and embossing processes were automated. They were colour printed by chromolithography, and coated with a gelatine and gum layer to give them a gloss finish. After being embossed they were die-cut and put through a stamping press to cut away the unwanted areas of paper, leaving the individual images connected by small strips, often bearing the name or initials of the maker. Scraps became extremely popular in Victorian England to be cut out by adults or children and stuck into albums, on to screens, or used for decorating greetings cards. This is one of a series of scraps featuring portraits of contemporary theatrical 'types'. This is the Lessee who owns a lease on a theatre and to whose account the profits or losses of a theatre are due. |
Associated objects |
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Other number | 1963/G/53 - BTMA accession number |
Collection | |
Accession number | S.4:6-2008 |
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Record created | July 1, 2009 |
Record URL |
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