Print Collection
Scrap
ca.1890 (printed)
ca.1890 (printed)
Artist/Maker | |
Place of origin |
Scraps first appeared in the early 19th century as black and white engravings, and were later coloured by hand. By the 1820s they had become more elaborate and sometimes embossed, and within a decade both the printing and embossing processes were automated. They were colour printed by chromolithography, and coated with a gelatine and gum layer to give them a gloss finish. After being embossed they were die-cut and put through a stamping press to cut away the unwanted areas of paper, leaving the individual images connected by small strips, often bearing the name or initials of the maker.
Scraps became extremely popular in Victorian England to be cut out by adults or children and stuck into albums, on to screens, or used for decorating greetings cards. This is for a clown figure with a painted face, typical of clowns that appeared in late 18th century and early 19th century pantomime in Great Britain. This scrap may have been one of a set of pantomime characters, with another clown, Columbine and Harlequin.
Scraps became extremely popular in Victorian England to be cut out by adults or children and stuck into albums, on to screens, or used for decorating greetings cards. This is for a clown figure with a painted face, typical of clowns that appeared in late 18th century and early 19th century pantomime in Great Britain. This scrap may have been one of a set of pantomime characters, with another clown, Columbine and Harlequin.
Object details
Category | |
Object type | |
Title | Print Collection (named collection) |
Materials and techniques | Printed paper |
Brief description | Miniature printed paper scrap of a young man with a painted clown-like face. Chromolithograph by Siegmund Hildesheimer & Co., ca.1890 |
Physical description | Multicoloured paper scrap of a young man with a painted clown-like face, wearing green breeches and red and white striped stockings, leaning on a stick, his mouth in the form of an 'O', his eyes staring ahead, his eyebrows raised. |
Dimensions |
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Credit line | Given by the British Theatre Museum Association |
Subject depicted | |
Literary reference | Pantomime |
Summary | Scraps first appeared in the early 19th century as black and white engravings, and were later coloured by hand. By the 1820s they had become more elaborate and sometimes embossed, and within a decade both the printing and embossing processes were automated. They were colour printed by chromolithography, and coated with a gelatine and gum layer to give them a gloss finish. After being embossed they were die-cut and put through a stamping press to cut away the unwanted areas of paper, leaving the individual images connected by small strips, often bearing the name or initials of the maker. Scraps became extremely popular in Victorian England to be cut out by adults or children and stuck into albums, on to screens, or used for decorating greetings cards. This is for a clown figure with a painted face, typical of clowns that appeared in late 18th century and early 19th century pantomime in Great Britain. This scrap may have been one of a set of pantomime characters, with another clown, Columbine and Harlequin. |
Associated objects |
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Other number | 1963/G/53 - BTMA accession number |
Collection | |
Accession number | S.5:6-2008 |
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Record created | July 1, 2009 |
Record URL |
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