Print Collection
Scrap
ca.1890 (printed)
ca.1890 (printed)
Artist/Maker | |
Place of origin |
Scraps first appeared in the early 19th century as black and white engravings, and were later coloured by hand. By the 1820s they had become more elaborate and sometimes embossed, and within a decade both the printing and embossing processes were automated. They were colour printed by chromolithography, and coated with a gelatine and gum layer to give them a gloss finish. After being embossed they were die-cut and put through a stamping press to cut away the unwanted areas of paper, leaving the individual images connected by small strips, often bearing the name or initials of the maker.
Scraps became extremely popular in Victorian England to be cut out by adults or children and stuck into albums, on to screens, or used for decorating greetings cards. With his ear-to ear grin and simple smock, this one appears to represent a boy dressed as a simpleton or 'village idot' character.
Scraps became extremely popular in Victorian England to be cut out by adults or children and stuck into albums, on to screens, or used for decorating greetings cards. With his ear-to ear grin and simple smock, this one appears to represent a boy dressed as a simpleton or 'village idot' character.
Object details
Category | |
Object type | |
Title | Print Collection (named collection) |
Materials and techniques | Printed paper |
Brief description | Miniature printed paper scrap of a boy dressed as a simpleton. Chromolithograph by Siegmund Hildesheimer & Co., ca.1890 |
Physical description | Muilticoloured paper scrap of a grimacing young man with his hands behind him, wearing a green smock and green and brown hat, and blue laced boots with stripy blue socks. |
Dimensions |
|
Credit line | Given by the British Theatre Museum Association |
Summary | Scraps first appeared in the early 19th century as black and white engravings, and were later coloured by hand. By the 1820s they had become more elaborate and sometimes embossed, and within a decade both the printing and embossing processes were automated. They were colour printed by chromolithography, and coated with a gelatine and gum layer to give them a gloss finish. After being embossed they were die-cut and put through a stamping press to cut away the unwanted areas of paper, leaving the individual images connected by small strips, often bearing the name or initials of the maker. Scraps became extremely popular in Victorian England to be cut out by adults or children and stuck into albums, on to screens, or used for decorating greetings cards. With his ear-to ear grin and simple smock, this one appears to represent a boy dressed as a simpleton or 'village idot' character. |
Other number | 1963/G/53 - BTMA accession number |
Collection | |
Accession number | S.5:7-2008 |
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Record created | July 1, 2009 |
Record URL |
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