Print Collection
Scrap
ca.1890 (printed)
ca.1890 (printed)
Artist/Maker | |
Place of origin |
Scraps first appeared in the early 19th century as black and white engravings, and were later coloured by hand. By the 1820s they had become more elaborate and sometimes embossed, and within a decade both the printing and embossing processes were automated. They were colour printed by chromolithography, and coated with a gelatine and gum layer to give them a gloss finish. After being embossed they were die-cut and put through a stamping press to cut away the unwanted areas of paper, leaving the individual images connected by small strips, often bearing the name or initials of the maker.
Scraps became extremely popular in Victorian England to be cut out by adults or children and stuck into albums, on to screens, or used for decorating greetings cards. This is part of a set showing roller skating, a popular pastime after 1876 when the Englishman William Brown patented a design in Birmingham for four-wheeled roller skates.
Scraps became extremely popular in Victorian England to be cut out by adults or children and stuck into albums, on to screens, or used for decorating greetings cards. This is part of a set showing roller skating, a popular pastime after 1876 when the Englishman William Brown patented a design in Birmingham for four-wheeled roller skates.
Object details
Category | |
Object type | |
Title | Print Collection (named collection) |
Materials and techniques | Printed paper |
Brief description | Miniature printed paper scrap of a roller-skating girl. Chromolithograph by Siegmund Hildesheimer & Co., ca.1890 |
Physical description | Multicoloured paper scrap of a girl with long blond hair and an ankle-length blue dress, her hands in a muff, with roller-skates on both feet, skating towards her right. |
Dimensions |
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Credit line | Given by the British Theatre Museum Association |
Subject depicted | |
Summary | Scraps first appeared in the early 19th century as black and white engravings, and were later coloured by hand. By the 1820s they had become more elaborate and sometimes embossed, and within a decade both the printing and embossing processes were automated. They were colour printed by chromolithography, and coated with a gelatine and gum layer to give them a gloss finish. After being embossed they were die-cut and put through a stamping press to cut away the unwanted areas of paper, leaving the individual images connected by small strips, often bearing the name or initials of the maker. Scraps became extremely popular in Victorian England to be cut out by adults or children and stuck into albums, on to screens, or used for decorating greetings cards. This is part of a set showing roller skating, a popular pastime after 1876 when the Englishman William Brown patented a design in Birmingham for four-wheeled roller skates. |
Associated objects |
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Other number | 1963/G/53 - BTMA accession number |
Collection | |
Accession number | S.5:14-2008 |
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Record created | July 1, 2009 |
Record URL |
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