Print Collection
Scrap
ca.1890 (printed)
ca.1890 (printed)
Artist/Maker | |
Place of origin |
Scraps first appeared in the early 19th century as black and white engravings, and were later coloured by hand. By the 1820s they had become more elaborate and sometimes embossed, and within a decade both the printing and embossing processes were automated. They were colour printed by chromolithography, and coated with a gelatine and gum layer to give them a gloss finish. After being embossed they were die-cut and put through a stamping press to cut away the unwanted areas of paper, leaving the individual images connected by small strips, often bearing the name or initials of the maker.
Scraps became extremely popular in Victorian England to be cut out by adults or children and stuck into albums, on to screens, or used for decorating greetings cards. This scrap was probably one of a set on the theme of circus.
Scraps became extremely popular in Victorian England to be cut out by adults or children and stuck into albums, on to screens, or used for decorating greetings cards. This scrap was probably one of a set on the theme of circus.
Object details
Categories | |
Object type | |
Title | Print Collection (named collection) |
Materials and techniques | Printed paper |
Brief description | Printed paper scrap of a circus equestrian and clown. Chromolithograph by Siegmund Hildesheimer & Co., ca.1890 |
Physical description | Multicoloured paper scrap of a circus subject - a boy equestrian standing on a trotting horse. The boy is wearing red shorts, and holds a skipping rope above his head. A white-faced clown wearing striped tights and a red spotted costume is standing on a small footstool behind the horse, holding a paper hoop. |
Dimensions |
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Credit line | Given by the British Theatre Museum Association |
Subjects depicted | |
Summary | Scraps first appeared in the early 19th century as black and white engravings, and were later coloured by hand. By the 1820s they had become more elaborate and sometimes embossed, and within a decade both the printing and embossing processes were automated. They were colour printed by chromolithography, and coated with a gelatine and gum layer to give them a gloss finish. After being embossed they were die-cut and put through a stamping press to cut away the unwanted areas of paper, leaving the individual images connected by small strips, often bearing the name or initials of the maker. Scraps became extremely popular in Victorian England to be cut out by adults or children and stuck into albums, on to screens, or used for decorating greetings cards. This scrap was probably one of a set on the theme of circus. |
Associated object | S.5:17-2008 (Object) |
Other number | 1963/G/53 - BTMA accession number |
Collection | |
Accession number | S.5:18-2008 |
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Record created | July 1, 2009 |
Record URL |
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