St Francis Borgia
Statuette
1750-1751 (made)
1750-1751 (made)
Artist/Maker | |
Place of origin |
When planning a new work, the sculptor usually made preliminary drawings and then a model. The models sometimes formed part of his contract with the patron. They could be rough or detailed, large or small, and were made in clay, terracotta, wood and wax. This is a sketch model for a larger wooden figure commissioned for the church of the Jesuits in Mannheim. The finished sculpture was intended for a side altar dedicated to St Francis Borgia and also designed by Egell. The model represents an early stage in the evolution of the design, which was never realised as Egell died shortly afterwards.
Object details
Categories | |
Object type | |
Title | St Francis Borgia (generic title) |
Materials and techniques | Pearwood |
Brief description | Statuette, sketch model, pearwood, St Francis Borgia, by Paul Egell, Germany, ca. 1750-1 |
Physical description | The saint standing in clerical dress with a long mantle. Beside him a child angel holding a skull. The right hand broken. |
Dimensions |
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Object history | The object held by the putto is a skull and this identifies him as either St. Aloysius Gonzaga or St. Francis Borgia. Historical significance: It is unusual among Egell's models in being wood rather than terracotta. |
Historical context | This is a sketch model for a larger figure perhaps for the Jesuit College in Mannheim. The finished sculpture was intended for a side altar dedicated to St Francis Borgia and also designed by Egell. The model represents an early stage in the evolution of the design, which was never realised as Egell died shortly afterwards. |
Subjects depicted | |
Summary | When planning a new work, the sculptor usually made preliminary drawings and then a model. The models sometimes formed part of his contract with the patron. They could be rough or detailed, large or small, and were made in clay, terracotta, wood and wax. This is a sketch model for a larger wooden figure commissioned for the church of the Jesuits in Mannheim. The finished sculpture was intended for a side altar dedicated to St Francis Borgia and also designed by Egell. The model represents an early stage in the evolution of the design, which was never realised as Egell died shortly afterwards. |
Bibliographic references |
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Collection | |
Accession number | A.5-1911 |
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Record created | March 30, 2005 |
Record URL |
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