George IV, King of Great Britain and Ireland
Cameo
1825-1850 (made)
1825-1850 (made)
| Artist/Maker | |
| Place of origin |
An intaglio carving is cut into the surface of the material and a cameo is in relief. The art of gemstone carving was known in ancient Greece and Rome and revived in Renaissance Italy, when connoisseurs began to form rich collections of engraved stones. Shell cameos, which were cheaper and more easily worked, became fashionable in the 19th century. Many were bought by tourists as souvenirs.
Object details
| Categories | |
| Object type | |
| Title | George IV, King of Great Britain and Ireland (generic title) |
| Materials and techniques | Layered agate, in copper-gilt mount |
| Brief description | Cameo, layered agate, in copper-gilt mount, of George IV, by Giuseppe Girometti, Italy (probably Rome), ca. 1825-50 |
| Physical description | George IV, facing left, with laurel wreath. |
| Dimensions |
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| Credit line | Given by the Dowager Viscountess Mersey |
| Object history | Given by the Dowager Viscountess Mersey, in 1959. |
| Subject depicted | |
| Summary | An intaglio carving is cut into the surface of the material and a cameo is in relief. The art of gemstone carving was known in ancient Greece and Rome and revived in Renaissance Italy, when connoisseurs began to form rich collections of engraved stones. Shell cameos, which were cheaper and more easily worked, became fashionable in the 19th century. Many were bought by tourists as souvenirs. |
| Bibliographic reference | Trusted, Marjorie, ed. The Making of Sculpture. The Materials and Techniques of European Sculpture. London: 2007, p. 148, pl. 285 |
| Collection | |
| Accession number | A.7-1959 |
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| Record created | March 16, 2005 |
| Record URL |
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