On display
Image of Gallery in South Kensington

Nautilus Cup

1557-1558 (hallmarked), 1625-1675 (altered)
Artist/Maker
Place of origin

Object Type
This beautiful cup was originally made from a nautilus shell, but at some point the shell must have been damaged. It was replaced in the mid-17th century by a silver facsimile.

Shells from the sea mollusc Nautilus pompilius that lived in the Pacific and Indian oceans were valued for their rarity and beauty. Either in their natural state, or worked into elaborate objects, they were often found in the 'cabinets of curiosities' that contained the small treasures of a princely collection.

Design & Designing
Nautilus cups were particularly popular in Germany and The Netherlands, but they gradually became fashionable in England. This cup has London hallmarks, but the crisp quality of the decoration and in particular the basket ornament on the stem are characteristic of Antwerp, Belgium. It is possible that the cup was made by an 'alien' or foreign goldsmith based in London. Equally, the style may have spread through engraved prints and the cup been made by a court goldsmith such as Affabel Partridge (active 1550, died 1568).

Subjects Depicted
The decoration of nautilus cups often refers to the marine origins of the shell. In this case, the end of the bowl is shaped like the gaping jaws of a sea monster. The small figure of Jonah kneels over the lip. According to the Bible, Jonah, attempting to escape from God, was swallowed by a great fish and lived in its belly for three days and nights before repenting and gaining his release.

Object details

Categories
Object type
Materials and techniques
Parcel-gilt silver, the silver shell replacing the original nautilus
Brief description
Silver, English
Physical description
Cup, Nautilus
Dimensions
  • Height: 26.5cm
  • Maximum width: 18.5cm
  • Shell depth: 10.7cm
  • Base diameter: 12.5cm
Dimensions checked: Measured; 14/07/1999 by dw
Marks and inscriptions
Marked with a bird in a shaped shield
Gallery label
(27/03/2003)
British Galleries:
LUXURY IMPORTED MATERIALS

Aristocrats and wealthy merchants used decorative and expensive tableware to demonstrate their wealth and social status to guests. Splendid rarities, such as the pieces here, created lavish settings for a dessert of wine and sweetmeats. The weight and high quality of the silver mounts indicated the prestige associated with imported Chinese porcelain and other exotic materials.
Object history
Once owned by the Trenchard family of Wolfeton House, Charminster, Dorset
Made in London; probably by Affabel Partridge (active 1550, died 1568)
Production
Hallmarked for 1557 - 1558; possibly modified 1625 - 1675
Summary
Object Type
This beautiful cup was originally made from a nautilus shell, but at some point the shell must have been damaged. It was replaced in the mid-17th century by a silver facsimile.

Shells from the sea mollusc Nautilus pompilius that lived in the Pacific and Indian oceans were valued for their rarity and beauty. Either in their natural state, or worked into elaborate objects, they were often found in the 'cabinets of curiosities' that contained the small treasures of a princely collection.

Design & Designing
Nautilus cups were particularly popular in Germany and The Netherlands, but they gradually became fashionable in England. This cup has London hallmarks, but the crisp quality of the decoration and in particular the basket ornament on the stem are characteristic of Antwerp, Belgium. It is possible that the cup was made by an 'alien' or foreign goldsmith based in London. Equally, the style may have spread through engraved prints and the cup been made by a court goldsmith such as Affabel Partridge (active 1550, died 1568).

Subjects Depicted
The decoration of nautilus cups often refers to the marine origins of the shell. In this case, the end of the bowl is shaped like the gaping jaws of a sea monster. The small figure of Jonah kneels over the lip. According to the Bible, Jonah, attempting to escape from God, was swallowed by a great fish and lived in its belly for three days and nights before repenting and gaining his release.
Bibliographic reference
Cooper, John K. D. An assessment of Tudor Plate Design, 1530-1560. The Burlington Magazine, vol. 121, no. 915, June 1979. pp. 360-64.
Collection
Accession number
M.117-1984

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Record createdMay 5, 1999
Record URL
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