Mylne Tomb, Architects or Surgeons to Six Sucessive Scottish Monarchs thumbnail 1
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Mylne Tomb, Architects or Surgeons to Six Sucessive Scottish Monarchs

Photograph
1843-1847 (photographed)
Artist/Maker
Place of origin

One of fifty sepia-coloured photographs of people, places and nature studies taken in Scotland and bound in album.


Object details

Categories
Object type
Titles
  • Mylne Tomb, Architects or Surgeons to Six Sucessive Scottish Monarchs (assigned by artist)
  • Mylnes Monument, Greyfriars Churchyard, Edinburgh (generic title)
Materials and techniques
Salt paper print from calotype negative
Brief description
Photograph by David Octavius Hill and Robert Adamson, 'Mylne Tomb, There are buried four of the name, Architects or Surgeons to six sucessive Scottish Monarchs', Mylne family tomb, Greyfriars Churchyard, Edinburgh, salted paper print from calotype negative, 1843-1847
Physical description
One of fifty sepia-coloured photographs of people, places and nature studies taken in Scotland and bound in album.
Dimensions
  • Volume height: 23.5in
  • Volume width: 18in
  • Volume depth: 1 3/8in
Style
Credit line
Given by Sir Theodore Martin, 1869
Historical context
The famous partnership and collaboration between the artist David Octavius Hill and the photographer Robert Adamson came into being originally in order to produce photographic portraits to assist Hill as a painter. The team produced a wide range of superb, valuable work and they were the first consistently and successfully employ calotype process in Great Britain.

1843 Hill was introduced to Adamson and they began to collaborate on the production of calotype portraits as reference images for the painting ‘The Signing of the Deed of Demission’ which represents 474 dignitaries. Essentially, Hill posed and arranged the individual sitters or groups while Adamson attended to the technical aspects of the exposure, processing, and printing.

Some of their most powerful images, however, were made in Scottish seashore villages and depict fishermen and women. They also photographed the architecture and monument of Scotland and made calotypes of their friends posed in medieval armour or costumes.
Subjects depicted
Place depicted
Bibliographic reference
Stevenson, Sara. 'David Octavius Hill and Robert Adamson: Catalogue of their Calotypes Taken Between 1843 and 1847 in the Collection of the Scottish National Portrait Gallery', (Edinburgh: National Galleries of Scotland, 1981). ISBN 0903148374
Other number
pg. 193 (EDINBURGH 77)
Collection
Accession number
67407

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Record createdJuly 1, 2009
Record URL
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