Theatre Costume thumbnail 1
Not on display

Theatre Costume

1912 (made)
Artist/Maker

This costume was designed by Leon Bakst for a Temple Servant in Mikhail Fokine's ballet Le Dieu bleu (The Blue God) first produced by the Diaghilev Ballets Russes in 1912. Bakst was one of the most famous designers of the 20th century, and his extraordinary sense of style, colour and texture revolutionized not only theatre design, but also influenced fashion and interior design.

This costume is for a minor character but is typical of Bakst, with its vibrant colours, mixing magenta and deep blue, and the varying textures of the designs realised in appliqué outlined with gold cord and braids. Seeing the costume in isolation, it is difficult to see it as it was originally - one element in the total stage picture, which was full of equally exotic costumes, executed in complementary colours and heavily encrusted with rich design and geometric patterns.

Object details

Categories
Object type
Materials and techniques
Satin, cotton, gold cord and braid
Brief description
Costume for a Temple Servant in Fokine's ballet Le Dieu bleu, designed by Leon Bakst, Diaghilev Ballet, 1912
Physical description
Magenta kaftan with deep blue satin at front, appliquéd with gold cord and braid, white cotton decorated bands and triangles, the hem with stylized 'dome' motifs formed from curving grey lines and black and green triangles, and the sleeves with slate triangles.
Credit line
Purchased with the assistance of the London Archives of the Dance
Summary
This costume was designed by Leon Bakst for a Temple Servant in Mikhail Fokine's ballet Le Dieu bleu (The Blue God) first produced by the Diaghilev Ballets Russes in 1912. Bakst was one of the most famous designers of the 20th century, and his extraordinary sense of style, colour and texture revolutionized not only theatre design, but also influenced fashion and interior design.

This costume is for a minor character but is typical of Bakst, with its vibrant colours, mixing magenta and deep blue, and the varying textures of the designs realised in appliqué outlined with gold cord and braids. Seeing the costume in isolation, it is difficult to see it as it was originally - one element in the total stage picture, which was full of equally exotic costumes, executed in complementary colours and heavily encrusted with rich design and geometric patterns.
Collection
Accession number
S.2-2004

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Record createdMarch 3, 2005
Record URL
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